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KELLY MCEVERS, HOST:
The movie "Battle Of The Sexes" takes its title from a tennis match that helped define the 1970s - Bobby Riggs versus1 Billie Jean King. The match drew an enormous audience. More than 90 million people watched it on TV. It was widely seen as a proxy2 battle over feminism. Now with Steve Carell and Emma Stone trading serves, critic Bob Mondello says "Battle Of The Sexes" is poised3 to be a crowd pleaser all over again.
BOB MONDELLO, BYLINE4: It's 1970. Billie Jean King is a top-seeded player and a major draw at tennis tournaments, so she bridles5 at men being offered eight times the prize money she is.
(SOUNDBITE OF FILM, "BATTLE OF THE SEXES")
EMMA STONE: (As Billie Jean King) It says here that you're offering the men's winner $12,000 and 1,500 to the women's.
UNIDENTIFIED ACTOR: (As character) The men's prize needs to be that high to attract the best players. We're trying to make this the most prestigious6 tournament in America.
SARAH SILVERMAN: (As Gladys Heldman) And paying the women less than ever makes it more prestigious.
STONE: (As Billie Jean King) What's your argument, Jack7?
BILL PULLMAN: (As Jack Kramer) That men are simply more exciting to watch. They're faster.
UNIDENTIFIED ACTOR: (As character) Fact.
PULLMAN: (As Jack Kramer) And they're stronger.
UNIDENTIFIED ACTOR: (As character) Fact.
PULLMAN: (As Jack Kramer) And they're more competitive.
UNIDENTIFIED ACTOR: (As character) Just a fact.
PULLMAN: (As Jack Kramer) It's not your fault. It's just biology.
MONDELLO: Taking that as a challenge, King and eight other women players start their own circuit, getting suspended from the Lawn Tennis Association but quickly catching8 on with fans, which gives three-time world champion Bobby Riggs an idea. At 55, he is long past his athletic9 prime. He's also sorely missing the limelight, though. So he wakes up King with a midnight phone call while she's on tour to propose this.
(SOUNDBITE OF FILM, "BATTLE OF THE SEXES")
STEVE CARELL: (As Bobby Riggs) You and me, Billie Jean - three sets, five sets - your choice.
STONE: (As Billie Jean King) Are you drunk, Bobby?
CARELL: (As Bobby Riggs) No, of course not. How about this - male chauvinist10 pig versus hairy legged feminist11 - no offense12. You're still a feminist, right?
STONE: (As Billie Jean King) No, I'm a tennis player who happens to be a woman.
CARELL: (As Bobby Riggs) And I am a tennis player who says that he can beat any woman on the planet. Think of the publicity13 that we'd get. Think of the money.
MONDELLO: She says no. But when he clobbers14 another woman's champ, King understands the stakes. Riggs has nothing to lose. Women's tennis has lots to lose. So she accepts his challenge. And as he serves up insults, she returns every volley.
(SOUNDBITE OF FILM, "BATTLE OF THE SEXES")
CARELL: (As Bobby Riggs) Don't get me wrong. I love women in the bedroom and in the kitchen.
(LAUGHTER)
STONE: (As Billie Jean King) Keep talking, Bobby. The more nonsense you spout15, the worse it's going to be when you lose.
(LAUGHTER)
CARELL: (As Bobby Riggs) Well, I'm the ladies' number one. I'm the champ. Why would I lose?
STONE: (As Billie Jean King) 'Cause dinosaurs16 can't play tennis.
MONDELLO: Advantage King. The film is directed appropriately enough by a mixed-gender17 pair, Valerie Faris and Jonathan Dayton. They're the folks who made the Oscar-nominated "Little Miss Sunshine" a few years back. And they bring a similar interest in the personal to this film. They show Steve Carell's Bobby Riggs chafing18 at an emasculating marriage, for instance, to make sense of his trying to assert male superiority. And they have Emma Stone dive into the more complicated backstory of Billie Jean King's marriage, devoted19 to her husband even as a hairdresser upends her life.
(SOUNDBITE OF FILM, "BATTLE OF THE SEXES")
STONE: (As Billie Jean King) It doesn't matter. Can you just get it out of my face?
ANDREA RISEBOROUGH: (As Marilyn Barnett) You don't care about how you look, someone as pretty as you?
STONE: (As Billie Jean King) I'm not pretty. I mean I don't - thank you for saying that. What's your name again?
MONDELLO: Keeping this blossoming affair under wraps was essential in the 1970s, a compromise King made in a quest for gender equality. The film is nicely even-handed as it lays out that quest and clever in illustrating20 it. At one point, sportscaster Howard Cosell, who died some two decades ago, is seen with his arm around one of the film's performers, a bit of digital wizardry that connects that era with ours, as does the script. Back in the 1970s, Billie Jean King knew well that the battle she was engaged in was bigger than she was. And as upbeat and entertaining as it undeniably is, "Battle Of The Sexes" sees that battle as ongoing21. I'm Bob Mondello.
(SOUNDBITE OF NICHOLAS BRITELL'S "ONE DOLLAR - PRESS CONFERENCE")
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