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PEOPLE IN AMERICA - F. Scott Fitzgerald, Part 2

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PEOPLE IN AMERICA - October 6, 2002: F. Scott Fitzgerald, Part 2

By Richard Thorman


VOICE ONE:
I'm Shirley Griffith.
VOICE TWO:


And I'm Steve Ember with the Special English Program, People in America. Every week,
we tell about someone important in the history of the United States. Today, we complete
the story of writer F. Scott Fitzgerald.

(Theme)

VOICE ONE:

In nineteen-twenty-five, just five years after his first novel appeared, F. Scott Fitzgerald
published ""The Great Gatsby"." It was a major event in american writing.

""The Great Gatsby"" is a story about success -- American success -- and what one must do to gain it. It is a story
about appearance and reality. It is a story about love, hate, loyalty1, and disloyalty. This is how the story begins:

VOICE TWO:

"In my younger years, my father gave me some advice. The ability to do what is good and right is not given out
equally at birth. The rich and powerful -- who should have it -- often do not. And those who were born knowing
neither good nor right, sometimes know it best."

VOICE ONE:

Jay Gatsby, the main character in the book, learns this moral2 lesson. He dies at the end of the story. Yet his spirit
survives, because of his great gift for hope. It was the kind of hope, Fitzgerald said, that he had never found in
any person. yet it was hope that used Gatsby and finally, in the end,Y destroyed him.

Gatsby is a self-made man. Almost everything about his life is invented, even his name. He was born Jimmy
Gatz. As a child, Jimmy Gatz sets a daily program of self-improvement. These are the things he feels he must do
every day to make himself a success.

VOICE TWO:

When Jimmy Gatz invents himself as Jay Gatsby, part of his dream of success is the love of a beautiful woman.
He finds the woman to love -- as Fitzgerald did -- while training in the Army during World War One.

The other part of his dream is to be very rich. That, too, was part of Fitzgerald's dream. In just three years, Gatsby
gains more money than he thought possible. All he needs to do now is to claim the woman he loves. In those
same three years, however, she has married someone else.

The story of ""The Great Gatsby"" is told by a narrator, Nick Carraway. When Gatsby seeks to renew3 his earlier
love, Carraway says, "I would not ask too much. You cannot repeat the past." Gatsby answers, "Cannot repeat the
past? Why, of course you can!"

VOICE ONE:

For a brief time, Gatsby seems to succeed. He does not know that he can never succeed completely. The woman
he loves, Daisy Buchanan, is part of the very rich world that Fitzgerald found so different. It is a group that does



not share what it has with people like Jay Gatsby. Fitzgerald wrote:
VOICE TWO:
"They were careless people. They smashed4 up things and creatures. Then they retreated5 back into their money, or


their great carelessness, or whatever it was that kept them together. They retreated and let other people clean up
the messes they had made."

VOICE ONE:
The mess they make in ""The Great Gatsby"" is a tragic6 one. They hit a woman with a car, and kill her. Gatsby
accepts the blame, so Daisy will not be charged. He, then, is killed by the dead woman's husband.


Not even Gatsby's few friends come to his funeral. Of all the hundreds of people who came to his parties, no one
will come when the party is over. After Gatsby's death, Nick Carraway, the storyteller, says:

VOICE TWO:
"I thought of Gatsby's wonder when he first recognized the green light at the end of Daisy's boat dock7. He had
come a long way to this blue lawn8. His dream must have seemed so close that he could hardly fail to hold it. He
did not know that it was already behind him ..
.


"Gatsby believed in the future that, year by year, moves away from us ..
.
"So we beat on -- boats against the current -- carried back endlessly into the past.
"
((Music Bridge)
)
VOICE ONE:
""The Great Gatsby"" was not the popular success F. Scott Fitzgerald expected. Yet other writers saw


immediately how skillful9 he had become. His first books showed that he could write. "The Great Gatsby" proved


that he had become an expert in the art of writing.
The story is told by a third person. He is a part of the story, But he rejects the story he is telling. His answers are
like those heard in an ancient Greek play. The chorus10 in the play tells us what to think about what we see.


"The Great Gatsby" is a short novel whose writing shines like a jewel. The picture it paints of life in America at
that time -- the parties, the automobiles11, the endless fields of waste -- are unforgettable.

VOICE TWO:
Fitzgerald wrote at great speed to make money. Yet no matter how fast he wrote, he could not stay out of debt.
By the end of the nineteen-twenties, the Jazz Age had ended. Hard times were coming for the country and for the
Fitzgeralds.


VOICE ONE:
In nineteen-thirty, Zelda Fitzgerald became mentally sick. She lived most of the rest of her life in mental


hospitals. Scott Fitzgerald also became sick from drinking too much alcohol12. And he had developed the disease13
diabetes14.
In nineteen-thirty-one, the Fitzgeralds returned to the United States from Europe. Zelda entered a mental hospital


in the state of Maryland. Scott lived nearby in the city of Baltimore. Zelda lived until nineteen-forty-seven. She
died in a fire at another mental hospital.
VOICE TWO:
In nineteen thirty-four, Fitzgerald wrote another novel, "Tender15 Is the Night." He thought it was his best. Many



critics disagreed. They said Fitzgerald no longer recognized what was happening in the United States. They said

he did not understand what was important to the country during the great economic depression.
"Tender Is the Night" tells the story of a young American doctor and his marriage to a rich, beautiful patient. In
the early part of his life, he believes in success through hard work. Slowly, however, his wife's great wealth ruins
him. His energy is weakened16, his work destroyed. His wife recovers her health while he becomes worse. In the
end, she seems to have stolen his energy and intelligence.

VOICE ONE:
In nineteen-thirty-six, Fitzgerald wrote a book he called "The Crack-Up." It describes his own breakdown17, and


how he attempted to put himself and his life together. "It seemed a romantic business to be a successful writer,
"
he said. "Of course ... you were never satisfied. But I, for one, would not have chosen any other work.
"
At the age of thirty-nine, he realized that his life had cracked into pieces.
It became a time for him to look at himself. He realized that he had not taken care of the people and things he


loved. "I had not been a very good caretaker of most of the things left in my hands," he said, "even of my own
skills." Out of the wreckage18 of his life and health, he tried to rebuild himself.

VOICE TWO:
Fitzgerald had always written many stories. Some were very good. Others were not good. He wrote quickly for
the money he always needed. After his crack-up, however, he discovered he was no longer welcome at the
magazines that had paid him well. So, to earn a living, he moved to Hollywood and began writing for the motion19
picture industry.

He had stopped drinking. He planned to start writing novels and short stories again. It was too late. His health
was ruined. He died in Hollywood in nineteen-forty at the age of forty-four. There were few people who could
believe that he had not died years before.

VOICE ONE:
Fitzgerald was working on a novel when he died. He called it, "The Last Tycoon20.
"
Fitzgerald's friend from Princeton University, the literary21 critic Edmund Wilson, helped to get it published.


Wilson did the same thing for a book of Fitzgerald's notes and other pieces of writing.


These books re-established Fitzgerald's fame as both an observer22 of his times and a skilled23 artist. That fame rests
on just a few books and stories, but it seems secure24.
(Theme)
VOICE TWO:
Today's program was written by Richard Thorman. I'm Steve Ember.
VOICE ONE:
And I'm Shirley Griffith. Join us again next week for another People in America program, in Special English, on


the Voice of America.

 

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