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美国国家公共电台 NPR Jonah Hill On Hip-Hop And Coming Of Age In The Mid90s

时间:2018-11-09 01:02:07

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(单词翻译)

 

ROBERT GARCIA, HOST:

What's up, everybody? Peace. Just heads up, there may be some strong language in this episode.

ADRIAN BARTOS, HOST:

Ooh (ph) - some bad words.

GARCIA: (Laughter).

JONAH HILL: They don't want the kid from "Superbad" making, like, the skateboarding and hip-hop movie. And I get it, bro. Like, I get it. I would roll my eyes so bad. They'd roll back in my head, and I'd see the back of my skull1.

(SOUNDBITE OF JAMES BROWN'S "CHASE")

BARTOS: Hey, party people in the place to be, be, be, be, be. My name is Stretch Armstrong.

GARCIA: Word up. This is Bobbito Garcia, aka Kool Bob Love. I'm going to give them a mid-'90s ooh-ooh (ph).

BARTOS: Ooh-ooh. Yo, yo, yo, yo, yo.

(LAUGHTER)

GARCIA: Yes. Yes.

BARTOS: Had to bring it back, had to bring it back.

GARCIA: (Laughter) Yes. You know why? Because on today's WHAT'S GOOD episode - and that's the podcast you're listening to - we have a guest who directed a film titled "Mid90s," Stretch.

BARTOS: And we are in a mid-'90s state of mind, joined shortly by our boy, Jonah Hill.

GARCIA: I've never met him. I know you've had some run-ins with him on the street.

BARTOS: He's been living in New York, apparently2, for the last 5, 6 years, so I have seen him around.

GARCIA: You know, the more guests that we have that you have hung out with randomly3, the more I realize my life...

(LAUGHTER)

BARTOS: That you don't get out enough.

GARCIA: Yeah, it's like - it's like, once again, Stretch has hung out with this guest.

BARTOS: It's funny because, when I met Jonah, we met because he heard me talking. And then he turned and was like, Stretch?

GARCIA: (Laughter).

BARTOS: And so when he says he was a listener of our radio show in the '90s, despite living in Los Angeles, I knew he was telling the truth.

GARCIA: Right, it's authentic4. And, as is his film, "Mid90s," complete authenticity5 with regards to the treatment of hip-hop culture...

BARTOS: And skate culture. I went to the film with my boy, Curtis Kulig, who's...

GARCIA: Oh, the artist.

BARTOS: That's right. But he's got, like, a deep history in skating.

GARCIA: Did not know that.

BARTOS: And he just like was looking at me through the film like, yo, nailing it, right? I know like, for us, like anytime we watch something that has hip-hop in it, like we're very sensitive to how it's treated and how...

GARCIA: Sure. Sure.

BARTOS: ...You know, if it's done with the right amount of, you know, research and reverence6. And so on the skating front, I know he nailed it. In terms of the soundtrack, which is, you know, deeply hip-hop-oriented, it was spot on.

GARCIA: Jonah crushed it as a music supervisor7, crushed it as a director, crushed it as a writer. He has been crushing it for 16-plus years as an actor. This dude is super bad, yo, and he's a real cool brother, man. So don't go nowhere. Check it out. Jonah Hill - coming up next.

(SOUNDBITE OF MUSIC)

HILL: Yo, I'm just hyped. I've been on, like, such a crazy press tour. But like, for real, I've met Stretch before. I've never met you, but I'm a huge, huge fan. I don't know if you saw the film, but he saw the film.

GARCIA: I peeped it.

BARTOS: We both did.

HILL: In the opening, like, literally8, those are real "Stretch & Bob" tapes that, like, we used to get sent from New York when I was in LA from my uncle, Nick - shout-out, my uncle, Nick. Like I'm a true, true fan.

GARCIA: So your tapes included our wild and crazy live phone call section - sessions?

HILL: Yes. I would get the tapes from the ghetto9 blaster - from my uncle, Nick, in New York and - because we couldn't get it out in LA, you know?

GARCIA: No doubt.

HILL: And to me, it was like, I would wait. You're a kid. You don't get mail. You don't get packages.

(LAUGHTER)

HILL: It's not like - you know, like it was what I looked forward to. It's like when you order something now off the Internet and you're hyped about it coming. But back in the day, it was so much better because it was like, I didn't know when it was coming. I didn't know. So I'd check the mail - like, fuck, no tape, fuck, no tape.

BARTOS: How often would they come?

HILL: Like - and it wouldn't be consistent because he was also a teenager.

(LAUGHTER)

BARTOS: Right, right, right.

HILL: So it's like, he'd be lazy as fuck. And he grew up out here in the city, and so he - like I would get it like probably every, like, two, three months.

BARTOS: And there'd be like a package of, like, 10 tapes?

HILL: Yeah, it would just be, like, whatever he could put together in his free time and...

BARTOS: Amazing. That's called proper uncle-ing (ph).

GARCIA: I just want to officially say I was at the press screening for "Mid90s." It was like, you know, was, like, this theater of, like, 60 journalists. They got their notebooks out, whatever - doo, doo, doo, you know. Stretch had already hipped10 me that, you know, our tapes of our '90s radio show...

BARTOS: Oh, wait, wait. Let me interject, though, because my man at A24 was like, there's something involving you and Bob that made the film, and then it got cut out, but I think it's back in now.

HILL: I put it back in.

BARTOS: So I was like, yo, Bob, we're in Jonah Hill's new film. Bob goes, who's playing us?

(LAUGHTER)

BARTOS: I was like, nah, nah, nah.

GARCIA: No, like, who's portraying11 us? (Unintelligible).

GARCIA: That's so sick.

(LAUGHTER)

GARCIA: Yeah, and for a second, I was like, yo, that'd be dope.

BARTOS: I need that kind of confidence.

HILL: Dude. That's so sick.

(LAUGHTER)

GARCIA: So I'm watching it, and I'm like, oh, word, like, the nuance12 was just so lovely, like, the buildup in the opening title sequence. And I'm like, word, all right. And then all of a sudden, I see, like, 30 "Stretch & Bobbito" WKCR 89.9FM radio recordings13, like, neatly14 stacked and I had a hearty15 guffaw16. I was like...

HILL: A hearty guffaw.

GARCIA: I was like (laughter) - like, there was nobody else in the theater that's laughing. I'm, like, the only one that caught it. You got me on that. I was like, you know...

HILL: It's respect.

GARCIA: Whatever you did to - if that was a play to authenticate17, you know, who you are and your positioning in the '90s, it definitely - it's been like a stamp almost, you know, for people that...

HILL: It's a touchstone.

GARCIA: Yeah.

HILL: With skating and with hip-hop, it's important to do it correctly. Twenty years from now, I know I showed respect and I did something that was important for me to do. And people hate on everything, and that's life, bro. But, like, I stand by what I did. All the OG's that have seen it in rap or skateboarding are like...

GARCIA: Co-sign.

HILL: ...They're just like, dude, thanks.

GARCIA: Yeah.

HILL: And I'm not - they don't want the kid from "Superbad" making, like, the skateboarding and hip-hop movie. And I get it, bro. Like, I get it. I would roll my eyes so bad. They'd roll back in my head and I'd see the back of my skull. But, like, you know, like, I'm not an authority. I'm a fan. So, like, for me to get to even chop it up with you guys means I've made something worthy18 of talking to you guys, you know?

GARCIA: So with "Mid90s," you're the writer, you're the director, music supervisor. What pushback were you getting from the studio? With a studio, you got people in marketing19 that have a say. You have people in sales that have a say, people in distribution. You know, you have all these cooks and chefs in the kitchen.

HILL: Right. Well, for me, I wanted to be a writer-director my whole life. I accidentally fell into this amazing 16-year acting20 career, right?

GARCIA: Oh, word.

HILL: So I always wanted to be a writer and director. And I took an acting class to learn how to talk to actors, and I was so insecure and teachers were never nice to me, but they were like, you're such a great actor. I was like OK. And 16 years later, I'm making my first movie, like...

(LAUGHTER)

HILL: So I just went on, like - whatever filled the hole of insecurity, I went down that road. So with the studio and shit, this movie is a lot easier if I play some older dude in it and the kids from "Stranger Things" are the actors as opposed to real skateboarders, right? So for me, I had been allowed because of my privilege to go, yo, I'm not casting Disney actors. I'm casting skateboarders. I'm not going to, you know - I'm not - I'm shooting on Super 16. I'm shooting 4:3. This is my vision for the film. And I had people really protecting me. A24 is really dope - Ken21 Kao, one of the producers, Scott Rudin, Eli Bush, the producers - like, people had my back but because I was willing to walk away. I had waited so long to direct if I did it, it was going to be something that meant something to me.

So for me, I was willing to walk away if this got corrupted22 in any way because, A, I'm going to get the shit kicked out of me by skateboarders and, B, I'm going to get the shit kicked out of me by hip-hop heads and, C, I'm going to beat the shit out of myself because I didn't respect myself. So I just fought for four years, and this is my heart.

GARCIA: Along the filmmaking piece, the other question I had was, you know, you've also acted in films directed by the Coen brothers and Martin Scorsese and all these, like, you know, luminaries23 in the field. What departures did you take? What rules did you break in making "Mid90s?" What were the moments where you were like, yo, eff the regulations of the structure of how I'm supposed to make this film? Like...

HILL: Well, one thing was, you guys know, especially in hip-hop too, it's like homophobic language, misogyny, you know, how these kids speak to each other and about each other, I made a really conscious choice. I felt it was more fucked up to make a revisionist history than to show how ugly it was how people spoke24 to each other. So that's something, again, that I made a hard choice that, like, I even could have, you know, been like, wow, I don't even want to deal with this. But in my mind, it was more respectful to show how horrible it was how we spoke to one another and how people spoke at that time and treated women at that time.

So for me, that's a choice that, you know, if this was at a major studio, they'd be like, yo, leave that out. We don't even want to invite that in. And to me, the only people that would have hated on it - it's because of that. But they don't understand that my point is showing it is the point. Showing it is - as honest and as hard to watch as it is - is the point I'm trying to make.

Another thing is sexuality as currency, you know? The kid has his first sexual experience, and he's shaking because he's nervous, and he's not enjoying it. It's not about joyous25 connection. He only smiles and is happy when he realizes it gets him props26 in his group of friends and he raises up through the animal kingdom, right? And so for me, that - but that's real shit that, like, I had observed and had to unlearn. It is, you know, hard to watch at times, and people confuse an artist putting shit out honestly in a time period to them supporting it.

BARTOS: You acknowledge that as a well-known actor, you have a certain privilege, right? Like, you could sort of just pick any project. Just curious if that invited a certain amount of scrutiny27 that was, you know, weighing on you perhaps.

HILL: Coming in as an actor that's well-known, people have all sorts of conceptions about me, kind of like, hey, he's this comedian28. He's this kid. He's foul-mouthed, blah, blah, blah. And it's like, I get it, bro. Like, I totally get it. I could have done the same movie over and over and I started to do dramatic movies. People were hating on me for that. Then I get, like, success in that arena29 and then I'm like I'm going to be a director. And now people are like, another fucking actor trying to be a director, bro.

It's like, stay in your lane, G, stay in your lane, you know? And then I, like, make a movie that reflects a time period accurately30 and the people that hate are like he'll get such delight out of these misogynistic31 scenes and blah, blah, blah. And it's like, you know, I'm not going to apologize for what I want to create, who I am. I don't want more respect. I don't want less respect. I just want to be treated like an equal like I treat everybody else like an equal, you know?

BARTOS: So let's go back to that opening scene where you see the image of - the glorious image...

HILL: The most glorious shot in the film.

BARTOS: The height - it's the apex32 of the film.

GARCIA: The tour de force of the "Stretch & Bob" tapes.

BARTOS: At two minutes in - no, but Sunny is - he's surreptitiously trying to get his fingers on his older brother's tapes. So I'm just wondering if there's an autobiographical aspect to Sunny and his discovery of music and things that will eventually become a huge part of his identity.

HILL: For sure. I mean, the movie's not, like, a biopic. It's not, like, my "Walk The Line" where it's, like, me just making a movie. It's, like, a story I created and characters I created. But it's autobiographical in the sense - only the sense of that it's personal. Like, I connected to the loneliness of being that age and finding a group of people, right? And I connected to skateboarding and hip-hop. And for me, the part that is personal is, like, my older brother. He passed away in December, and he's - you know, I miss him very much, but he - I would go in his room to see what was up. Like, that was your education.

Before I found skateboarders, he showed me what was up. Like, yeah, I would just write down the CDs he had. I would write down the Jordans that he had. I would try and just take inventory33 of, like, what was up. And it completely shaped - because actually - for me, the first records I got were from him. And it was right before Pharcyde and Hiero and Souls of Mischief34 and all that. So the kind of arty rap was more like Native Tongues East Coast, so he was super East Coast - like super, super East Coast. Like, what was cool about skate culture for me and when I got in that world - it was right when Souls of Mischief and Pharcyde came out and the West Coast had artier, weirder36 shit. That was really big. Like, when Pharcyde hit, it was like everything. It was like things shifted for, like, young weirdos on the West Coast in rap, you know what I'm saying?

(LAUGHTER)

HILL: Like you felt like - like, Fatlip is OG. He came to the premiere and it was like, I met Fatlip. And I was like, yo, you're kind of OG talking about your feelings in rap, you know? Like the - like "Bizarre Ride II" is like he kind of talks about being a nerd. He kind of talks about not getting girls. He kind of talks about, like, being made fun of. And then "What's Up Fatlip?" is, like, I think are really OG, like, vulnerable. He's so vulnerable in that song. And I think that is now hip-hop in a lot of ways - like Drake, a lot of the, like, SoundCloud. It's, like, mad emo. But I think Fatlip was kind of the first dude to kind of go there and break that wall of like I'm the shit, you know?

BARTOS: And big - I mean, "Passin' Me By" is a - I mean, that's just a massive record, right? You could play that anywhere and people lose it.

HILL: "93 'til Infinity37" and "Passin' Me By" to me represent my youth. Like, that's when I think about walking around listening to music, skating around poorly - not as a good skateboarder, an unathletic skateboarder. That's what I think about is - those two songs I think the most represent being 14 skating in LA at that time, you know?

GARCIA: So because it's not your biopic but there are elements of your life that are represented in "Mid90s" - I mean, your brother is not with us anymore to have watched the premiere, but was there a conversation like, hey, like, people may see this film and connect it to our relationship? Please be aware of that. Or, you know, did you share the script with him? Did he co-sign it?

HILL: You know, my brother - may he rest in peace - like my family, they're very supportive of me being an artist, right? I said to them, it's personal in the sense that I felt lonely and alone and needed to find connection outside of my house, right? But that's not my brother. That's not my mom, my dad and - there's no dad. There's no sister.

GARCIA: Yeah.

HILL: You know, my parents are married, right? So it's more just like characters I wanted to create, things that I noticed about people growing up, feelings about growing up. So it wasn't as delicate. I think they were more sad to see how I felt growing up. I think for them, it was hard to see that I felt bad 'cause they were just sad. They don't want their kid to feel bad or whatever, you know? So, you know, the best version of ourselves - you pour your heart out and you know you did that and you don't give a fuck. As a human being, we're all human, we all have egos38, we're all sensitive and you sometimes do that. Like, with this film, it is very vulnerable to put it out into the world because, man, it's like having - sending my kid to school for the first time. Like, is he going to get the shit kicked out of him? Is he going to get pantsed, like, or is he going to get - is he going to have a group of friends or are people going to support him, you know? It's like - it's vulnerable in that way but you know what? I wouldn't have it any other way. Like, after having done this, I realize if I'm lucky enough I'm going to make things from my heart and I hope I get to.

BARTOS: So were you the type of kid that was, I mean, were you, like, a people-pleaser? Like, you were trying to make your parents think that you were happy, adjusted - I'm all good?

HILL: Yeah, being funny for me was definitely a mechanism39 of like, I'm OK. It was like, don't beat the shit out of me. I'm OK. You can't hurt me because I'm funny, and I'll hurt you. There's a mean element to it - a defensive40 element to it. And these are things I want to explore further if I get to make more films - you know? - because, yeah, I felt like shit, and I felt like I didn't deserve anything. And I beat myself up and other people - and then I became a well-known actor, and people are like, look at this fat clown from "Superbad," blah, blah, blah. And you're like - I'm not complaining. I have a privileged life. I'm a fucking white, straight, male movie star. Like, I get it. People can hate on me all day.

But I'm still a human being, and I still didn't have the value - even the baseline value for myself because any time I'd put myself out in the world, people would just kind of, like, make fun of me and shit. I used to have to put myself down also - like, because I'd be like, yo, if I don't put myself down, they're going to think I'm a jerk because I'm in movies. And then you go home, and you're like, damn, I feel how I just talked about myself - that's actually how I feel. And that's not good either, you know? It's just a baseline of, like, accepting a compliment, being an adult and just, like, being cool with who you are - knowing who you are. And when people say crazy shit about you or to you, you got to try your best to just maintain that level of respect for yourself.

GARCIA: Yo, curveball. So what was the first...

HILL: Curveball - your momma's so fat (laughter).

(LAUGHTER)

GARCIA: What's the first - what was the first...

HILL: Hey, Jonah, slip on this banana peel - curveball (laughter).

(LAUGHTER)

GARCIA: What was the first hip-hop jam you ever went to?

HILL: I'm trying to think of the first concert I went to.

BARTOS: It was that good.

HILL: Yo.

GARCIA: (Laughter).

BARTOS: You can't remember.

HILL: You know what it was? Because it was - the reason why it wasn't as memorable41 to me - it was LL.

GARCIA: Oh, word.

HILL: Right?

HILL: It was LL, and it was...

GARCIA: LL Cool J is...

HILL: Hard as hell. Because "Radio" is one of my favorite songs, right? And it was in a skate video, so that's how I knew "Radio" because it wasn't the time period where I would know old LL. So it was more, like, sexy LL. So the concert was, like, way more sexy than, like, "Rock The Bells" and "Radio." And I was like - that's why I'm like, it was a little odd because it was, like, him with his shirt off and shit. And it was me in awe42 like - because I had just heard "Radio" in a skate video called "Mouse," right?

So Spike43 Jonze made a skate video called "Mouse," and one of the best parts is, you know, this - rest in peace - skater Keenan Milton skates to "Radio," right? And I heard the song, and I bugged44 out. And I was like, this is one of the illest songs I've ever heard in my life. And I was like, oh, my God. I saw in the LA Weekly, like, skating around. I was like, LL Cool J's playing. And I got there. I was, like, one of the only dudes there.

(LAUGHTER)

HILL: And it was like - I was like 12 or 13. And it was mad sexual, and I was like - I did not hear "Radio." I did not hear "Rock The Bells." It was, like, him licking his lips and shit.

GARCIA: "I Need Love."

HILL: Yeah. And I was like - no, it was after. It was, like, "Mama Said Knock You Out."

GARCIA: Oh, OK.

HILL: But I was into that song, of course. But then it was like - got mad sexy. And I was like, yo.

BARTOS: "Pink Cookies In A Plastic Bag Getting Crushed By Buildings."

(LAUGHTER)

BARTOS: I don't know what that means.

HILL: Yo, that's why it's kind of a funny - I'm glad you asked me.

GARCIA: He did used to lick his lips. I forgot about that.

HILL: Dude, he was licking his lips the majority of the concert - because my friend and I were like, yo, does he need, like, Chapstick or something like that?

BARTOS: I did a private party, and LL was a performer. It was for Motorola in LA, and this dude came out. He was so Diesel45 buff.

HILL: Jacked, yeah.

BARTOS: And I swear, like, someone covered his body in oil.

HILL: Yo (laughter).

BARTOS: They really did. It was crazy. And he was licking the lips. I don't know if this is really going to make the cut.

(LAUGHTER)

BARTOS: I don't think so.

HILL: But it is interesting for my - because the reason why I wasn't as - like, I remember Tha Alkaholiks. That was my next show...

BARTOS: Tha Liks.

HILL: ...Was Tha Liks after. So, yo, like, I saw Tha Liks. Xzibit came out. This is like - I was mad young. That's what I consider, like, my first - where I was, like, turned up. I was, like, going crazy. I was, like, 12 or 13. They were spraying beer on us. I think it was my first taste of beer was - because like - I'm not kidding. I think my first drop of beer was when Tash, like, opened a - shook up a beer and opened it onto, like, my face in the crowd. And I love Tha Liks.

GARCIA: (Laughter) You got to script that. That's got to be in the next film.

BARTOS: I can see that.

HILL: Yo, but that's what it was like because in LA you could smoke weed way before you could drink because there was no way - they were super strict about alcohol. So we'd always be smoking weed, but we were never drunk until later, until it was, like, you figure out how to get alcohol. And I remember so - like, it was, like, a cartoon. I was at Tha Liks concert going crazy. I shoved my way to the front because I was really little, right? And I get to the front, and Tash just shakes up a Corona46 and blasts that shit in my face. And I was like, this is the coolest moment of my entire life.

BARTOS: You were like, LL who?

HILL: Yeah. I was like, this is home. I was like - you know that feeling of like - and they were just so dope. Tha Alkaholiks are a great West Coast group that was like...

GARCIA: Yeah, they were great live.

HILL: ...And you would see them - they would always play around LA constantly - small venues47. It was so fun - so fun.

BARTOS: Yeah, we showed them a lot of love. So, I mean, at any point, were you like - especially when you were younger and insecure and lonely and everything that you just described - did you ever look at hip-hop as something that maybe you could not just be a fan of but actually do and be like, yeah, I'm going to show people?

HILL: Oh, you want to know - I got to be honest. I said this on "The Breakfast Club."

BARTOS: Because we've all been there. We've done it.

HILL: Well, you guys did it. You literally did it.

BARTOS: Oh, no, no, no. We - no, no, no. I mean, I'm talking about like - all right. I had a birthday party.

HILL: You made beats, right?

BARTOS: My 35th - yeah, yeah. But, I mean, to a degree. My 35th birthday party, a friend from high school who I almost never see, he shows up, and he hands me an envelope.

GARCIA: (Laughter).

BARTOS: He was like, just put this in a safe place. I look at it when I get home, and it's a DVD, and it says, we are going to die for this. And it's a video, on the DVD, of a rap song we made in 1989, and it's a video.

HILL: And you're MC or you're DJ? Or both?

BARTOS: I made the beat.

HILL: You rapped on it.

BARTOS: And the three of us are rapping.

GARCIA: Gulp48.

BARTOS: And through the '90s, you know, when I'm on the radio and my profile is increasing, I'm like, wow, I really...

HILL: Don't - please, don't put this out.

BARTOS: This can't get out.

(LAUGHTER)

BARTOS: This will ruin my life. All credibility will go down the toilet in about 30 seconds.

HILL: You can't live your life like that. That's the point of life, though. That story perfectly49 encompasses50 what I think about life, which is you can't be scared of that coming out. It doesn't shake who you are or what you built.

BARTOS: (Laughter).

HILL: And our generation - our generation is all about not selling out. It's corny to, like, do anything that's not like super true, true, true. With working with this younger generation, it's amazing to see how they don't think that way. They look at the OGs and they're like, they're not even rich. You know what I mean? And I'm like, yeah, but they have the most credibility. And they're like, so? You know what I mean?

(LAUGHTER)

HILL: They're hyped Migos is on a song with Katy Perry because that means Migos is richer and blows up more, right, you know? So I was like, whoa, Migos - when we were shooting, Migos came on a Katy Perry song, and I'm like, yo. I'm like, isn't that fucking wack? And they're like, no, so what? Like, good for them. And I'm like, man, we were very different. You know, like it was very different.

So like - but to answer your question, I did talk about this on "The Breakfast Club." But I did - I made - I spent years making beats in my room, going to Fat Beats. Shout out, Fat Beats.

GARCIA: Word? They just opened up their store again in Los Angeles.

BARTOS: They reopened, yeah.

HILL: That makes me so happy. I spent so - after skating, when I realized I just sucked so badly, I was DJing, I was making beats, I would DJ parties, I would...

GARCIA: Word?

HILL: Yeah.

GARCIA: What was your DJ name?

HILL: Well, that's the - that's the problem.

GARCIA: What?

HILL: Spindrome. Like syndrome51, dude.

BARTOS: (Laughter).

GARCIA: It's not that bad.

HILL: It's pretty bad, bro.

GARCIA: Nah (ph), Spindrome?

BARTOS: Come on. Pun names?

HILL: And then - yeah. And then Real Eyes - R-E-A-L and then - Eyes.

BARTOS: Eyes (laughter).

HILL: Come on, dude. Like, I was so serious, like trying to be so dramatic about it.

BARTOS: You needed a partner named Recogn-Eyes. Be Recogn-Eyes and Real Eyes.

GARCIA: (Laughter).

HILL: Right, yo. You know what the best feeling for me was? So I had a MPC, and I would just like spend all, you know, all my nights just like making beats, listening to records. And what I loved about it was, like, you'd find a sample - right? - and you'd think, oh, my God, this is the greatest. I found like - I'm going to make this beat, and it's going to be like the illest beat ever. And then you realize, it's been sampled.

I was like, oh, that means I have good taste. You know what I mean? So it just - I was never like, this is what I'm going to do with my life. But it was cool when you would find something on your own and be like, oh, someone I actually respect already sampled this. That means I have a good ear. So that was a cool thing to look back on.

GARCIA: You didn't foresee making beats becoming your profession, but you did music supervise "Mid90s." There were nuances in the music supervision52 that I know - similar to the tapes coming on screen and me laughing out loud - I know that 99 percent of the people in that room would not have a clue of the echo out or the reverb slap or the blends or...

HILL: Or, that was the night everything changed, before the GZA comes in.

GARCIA: The way - the way - the way you looped a certain intro. It was like - it was all - it was flawless, dude.

HILL: That is the best compliment. And that observation truly means a lot to me because I treated it as a DJ. I was like, I'm the DJ of this movie, so whether I'm taking intros and adding things to them, or blending Trent Reznor and Atticus Ross' score into The Pharcyde, those blends, to me, are so part of it. I am trying to present something to a group of people that would never be interested in it.

GARCIA: No doubt.

HILL: And that's important to me. So I'm not some sort of dude who's going around like, I'm an authority, or I'm like the voice. It's just like people are interested in my film that are like an older, straighter, more like whatever generation. I just have access to it, so I'd rather present the palette in an honorable way.

BARTOS: Hip-hop is notoriously difficult to license53 because of...

HILL: Samples.

BARTOS: ...Unresolved writer disputes and whatnot.

GARCIA: Sampling disputes (laughter).

BARTOS: So did you experience any of these challenges in...

HILL: Yep.

BARTOS: You did. I couldn't even - I couldn't even finish the question, and yep.

HILL: Yo because in making - even before we started shooting, I go - I'm talking to the financier and stuff, and I'm like playing him the songs. All those songs were written - the scenes were written to those songs. Every single one. So I walked the financier and the producers through like, this is the song for this scene. This is the song for this scene.

And one of our producers was like, yo, like, I don't know what - like classic hip-hop, like '90s hip-hop, is notoriously impossible to get in movies because you have to pay 40 sample - the artists that they sampled. And I go, the movie does not exist without this. There isn't one without the other. So we really worked hard ahead of time with very little money. And what really helped us - I got to give a major shout out to my friend and one of my heroes, Q-Tip. Because I knew that he was going to give us a song, and if he co-signed it and Tribe co-signed it, it really...

GARCIA: It's like the domino effect?

HILL: It is like you get one, and like, people show up because they respect him. And so, as my friend, him, Frank Ocean and my sister saw the first cut of the movie. And I was like, did I fuck up, Q-Tip? I basically - was like my first question. He's like, you nailed it. And he gave me the song, and that really - him and Morrissey were the first two. And it was like, if I get them, like, other people will show up to the party, you know.

BARTOS: How did you get Morrissey so early?

HILL: I wrote him this letter about what that song represents in my life. And, like, a lot of kids I grew up skating with were Latino and so - and Mexican. So like, for some reason - this is like a weird35 thing - like Morrissey is massive in the Mexican community in LA, like massive. He's like Michael Jackson or something. Like, I don't - whatever it is, it's so ill.

And so my friends who were Mexican, like, their emo music they would listen to was Morrissey. And so I was just trying - and I just picked up from them and learned from them, just wanting to be like your older friends and stuff. And so when I would get like really like sad, I would listen to Morrissey.

(LAUGHTER)

HILL: I wrote him this really personal letter, and he literally wrote back, like, good luck with "Mid90s" - Morrissey. And I was like...

GARCIA: Word?

HILL: ...Freaking out, just to my producers in A24, like Morrissey just said "Mid90s." This is a thing thing that I wrote in my room, by myself, for three years when I was like depressed54 or whatever - angry. This was my best friend. And Morrissey and Q-Tip know "Mid90s" is a thing. Morrissey and Q-Tip, I got to thank them so much. And then, obviously, Trent Reznor and Atticus Ross scoring the movie. It just - it helped things along because we didn't have a lot of money, but we did have people believing in it. That means a lot.

BARTOS: So "Mid90s" is a film about individuals and a story that happens very specific to them as people, but it's also a film about a specific cultural moment, place and time. And I'm just curious, you know, for those that aren't a part of the culture - maybe someone who lives in, say, Idaho - what are you hoping they take away from your film?

HILL: I was like, it has to be so specifically correct to the subcultures that are portrayed55 in the film. That's what I care about the most. But at its core, I'm telling a story. That's just a backdrop. And I'm telling a story, a really emotional story, about how fun and how painful it is to grow up and find your tribe, right? And at its core, it's like you can look at any film. You know, you look at - "Amadeus" is one of my favorite movies, right? Like, I don't care about...

GARCIA: (Singing) Amadeus, Amadeus.

(LAUGHTER)

HILL: I don't care - I don't care about...

BARTOS: Rock me, Amadeus.

GARCIA: Rock me, Amadeus.

HILL: Yeah, I just like...

BARTOS: Falco.

HILL: I don't care about that culture, but the story's so human, you connect to it. And, to me, I don't want to shove any message down people's throats. I really believe that it's been amazing to watch people who aren't part of hip-hop or skate culture really connect emotionally to this film because it's just about growing up.

GARCIA: Let's take a quick break. And coming back out, we're going to have some real fun. If you think the first part of the interview was fun, you're in for a treat. We'll be right back.

HILL: Amazing.

(SOUNDBITE OF MUSIC)

BARTOS: And we are back with Jonah Hill, and it is time for the Impression Session.

GARCIA: Wait, I've got to give him an - ooh-wee (ph).

(LAUGHTER)

HILL: My 12-year-old self just did like a fucking backflip, dude. I mean, like...

GARCIA: You should give them a yo, yo, yo.

BARTOS: Yo, yo, yo, yo, yo, yo, yo, yo, yo.

(LAUGHTER)

BARTOS: I don't do that anymore.

HILL: That one - yo, that one - that one like - that hit deep, guys.

GARCIA: He retired56. He retired from yo, yo, yo.

HILL: I'm glad the tissues are over here, dude, 'cause that was epic57.

BARTOS: You're wilding.

GARCIA: So this - this Impression Session...

HILL: Sorry, I'm actually - that was - that was actually really important to me.

(LAUGHTER)

BARTOS: I can't tell if he's acting or not.

HILL: I'm really not, bro. I'm really not. Like, this is the kind of shit you do this shit for. It's amazing. Like bucket list.

GARCIA: What we're going to do right now is play you a track, each. Simply want you to react, and that's about it.

HILL: Just react to the song?

GARCIA: Yeah. Whatever it brings out.

BARTOS: Yeah. Emotionally, intellectually...

GARCIA: Don't get too emo.

BARTOS: ...Or I don't like this or I like it...

HILL: I go in that direction.

BARTOS: ...You might know it, you might not know it.

HILL: I go emo, dude. That's just part of who I am. I won't apologize for it.

BARTOS: Whatever. What do you want to do? Barbecue or boogaloo?

GARCIA: I'll go first.

BARTOS: OK.

GARCIA: Yeah, I'll go first.

(SOUNDBITE OF LES DEMERLE'S SONG "A DAY IN THE LIFE")

HILL: This was in the movie, and it got cut. You want me to rap? Am I live right now?

GARCIA: Yeah - we're not live, but you can talk.

HILL: Oh, this is the sample. I thought O.C. was about to come in.

GARCIA: (Laughter).

HILL: I was literally about to rap the whole entire O.C. song.

(SOUNDBITE OF LES DEMERLE'S SONG "A DAY IN THE LIFE")

HILL: I mean, that song was in the film, that O.C. - "Time's Up" by O.C. And the scene got cut, but that was like one of the songs I wrote the movie to.

GARCIA: Do you know the name of the artist for the original?

HILL: No.

GARCIA: So it's Les DeMerle - "A Day In The Life." It's a cover of a Beatles record.

BARTOS: I have the original album.

GARCIA: And O.C. rhymes over for the anthem58 of me and Stretch's eight-year radio career.

HILL: "Time's Up," one of the greatest...

GARCIA: Yeah.

HILL: I put the song in as respect to you guys and O.C.

GARCIA: Oh.

HILL: And then the scene got cut.

GARCIA: Nah, nah, nah. Come on, chill.

HILL: For real. Well, the doc - it's so heavily featured. It's so - O.C. is so connected to you guys in the doc. Like, it's dope.

GARCIA: Well, our documentary - "Stretch and Bobbito: Radio That Changed Lives" - the opening title sequence is to O.C.'s "Time's Up." So it's like...

BARTOS: Yeah, it's the one song...

HILL: You lack the minerals and vitamins (laughter).

BARTOS: Irons and the niacins.

HILL: Fuck who that I offend.

(LAUGHTER)

HILL: I just remembered the opening line.

GARCIA: I can't - I was hoping to see it in the film. So how come it didn't make it?

HILL: Dude, it was crazy. We edited this whole thing to him falling to, like, when it's like (vocalizing). And it just was - it ended up breaking the ethic59 of the film where it's like - that's where skate films go wrong when you try and be, like, stylized and make it cool, as opposed to just show it existing - people not landing shit. And so immediately, when I break that ethic, I tear it out of the movie, you know? But it was just a cool thing to edit because me and my editor had fun because that song has such dramatic (vocalizing). Like, you could just do surprising shit in the edit with it. But it ended up breaking ethics60, so it was ghosted.

BARTOS: Inside skating.

HILL: Yeah.

BARTOS: That's where we went.

HILL: Well, it's just like when movies go wrong - like, with hip-hop - it's like, if you make - you put the camera under the board, and it's flipping61 around, and look how rad these guys are - your movie is trash, you know? And so even though it was a fun exercise, had to get out.

GARCIA: Word.

BARTOS: Let's go.

(SOUNDBITE OF SONG, "CLEAR BLUE SKIES")

BUDDY62 SLIM: (Rapping) Damn it, son, I think it's time we had a little man-to-man talking. I heard that you was hand-in-hand walking down the boulevard, middle of the day with this black chick. Tell me the truth, boy, or you can catch this slap quick.

BREEZE BREWIN: (Rapping) Let me get this straight, you're ranting63 and raving64, behaving like a mad dog with rabies because my baby's not white. That ain't right. Pops, you got me puzzled because in the past with the black folks, you never struggled.

HILL: Insane. This one actually does fuck me up. I know I'm not supposed to get emotional, but when songs like this would come on in the car, and people would kind of start to get quiet - like, you guys didn't grow up in car culture. But, like, in LA, like, if this came on - when there were hip-hop songs that were kind of emotional - you know that feeling when you're in a group people, and you're listening to music like that, and a song like that comes on that actually is, like, pretty deep. And it's, like, that odd kind of quiet where everyone's not talking about it, but you could tell people were thinking. And that's what that song represents to me. Like, you know, just a banger - you know, O.C. comes on, and then it's like, that comes on. And you're like - that overly masculine quiet where people can't talk that they're, like, actually feeling something. And I remember - that brings me really back to growing up, like, really deeply.

BARTOS: It was like that for us. I mean, you know, a lot of the music that we would play in that studio - I mean, we didn't have car culture, but we were all...

HILL: Together.

BARTOS: ...In this confined space, as if it were a car.

GARCIA: No doubt.

HILL: So true.

BARTOS: And we're playing music that's just banging, right? And then I think - of course, that is the Juggaknots. The record is called "Clear Blue Skies." Bob had it before it was on wax.

GARCIA: I was playing it as a demo.

BARTOS: We'd play it, and it would just sort of, like, shut everything down, and everyone would be quiet. I mean, I really remember that. And then Q-Tip, who would listen to our show, heard it on the radio and would call up.

(SOUNDBITE OF ARCHIVED RECORDING)

GARCIA: OK, y'all live on air.

Q-TIP: Yo, this is Tip, man.

GARCIA: Yo, what's up, Tip?

BARTOS: Yo, Tip.

GARCIA: You on point?

Q-TIP: Yo, I got a request. What's that record about - the two dudes who did that record about the black kid dating a white girl?

GARCIA: The name of the group is called the Juggaknots. The name of the song is "Clear Blue Skies."

Q-TIP: Yo, you got to play that shit.

GARCIA: All right.

BARTOS: Didn't really - didn't know the group. It wasn't - it wasn't on some - yo, that's my man's record. I'm trying to...

HILL: Pick him up, yeah.

GARCIA: Yeah. It was like, yo, what is that? It's such a different record, and...

HILL: But that's what I mean when hip-hop - that moment with your friends when that comes on, people shut the fuck up because it makes them feel something. And at that time period, and being young, overly-toxic masculine people, you're like - you're like, yo, what the fuck? I don't feel anything. You know what I mean? And it's like - like, that kind of shit to me are those moments of quiet that are just kind of like - you remember them. You remember them, or at least I do, you know? And that song puts me, like, right there, you know - like, right in that moment. And it's amazing. I love that shit.

GARCIA: Word.

BARTOS: That's what's up.

GARCIA: Jonah, it's been ridiculously uplifting to bill with you and my boy right here. Looking forward to your next film - director or actor.

BARTOS: That's what's up.

GARCIA: You are the man, B.

HILL: Yo, this is...

BARTOS: It's great sitting with you, man.

HILL: Yeah, it is such a pleasure - and truly, in no bullshit way, a complete and utter joy and, like, check off my bucket list.

GARCIA: Word.

BARTOS: Cool.

HILL: So lots of love. Thank you.

BARTOS: Peace.

(SOUNDBITE OF MUSIC)

BARTOS: That's our show. This podcast was produced by Michelle Lanz, edited by Alexander McCall, Jordana Hochman and N'Jeri Eaton. Our executive producer is Abby O'Neill.

GARCIA: And if you duggy-dug (ph) the show, you can hear more at npr.org, plus bonus video content on Spotify on Fridays. While you're at it, please go to Apple Podcasts and rate, review and subscribe65. That's how we know you are listening.

BARTOS: And if you want to keep track of us via social media, our Twitter is @stretchandbob and our Instagram is @stretchandbobbito.

GARCIA: Peace.


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点击收听单词发音收听单词发音  

1 skull CETyO     
n.头骨;颅骨
参考例句:
  • The skull bones fuse between the ages of fifteen and twenty-five.头骨在15至25岁之间长合。
  • He fell out of the window and cracked his skull.他从窗子摔了出去,跌裂了颅骨。
2 apparently tMmyQ     
adv.显然地;表面上,似乎
参考例句:
  • An apparently blind alley leads suddenly into an open space.山穷水尽,豁然开朗。
  • He was apparently much surprised at the news.他对那个消息显然感到十分惊异。
3 randomly cktzBM     
adv.随便地,未加计划地
参考例句:
  • Within the hot gas chamber, molecules are moving randomly in all directions. 在灼热的气体燃烧室内,分子在各个方向上作无规运动。 来自辞典例句
  • Transformed cells are loosely attached, rounded and randomly oriented. 转化细胞则不大贴壁、圆缩并呈杂乱分布。 来自辞典例句
4 authentic ZuZzs     
a.真的,真正的;可靠的,可信的,有根据的
参考例句:
  • This is an authentic news report. We can depend on it. 这是篇可靠的新闻报道, 我们相信它。
  • Autumn is also the authentic season of renewal. 秋天才是真正的除旧布新的季节。
5 authenticity quyzq     
n.真实性
参考例句:
  • There has been some debate over the authenticity of his will. 对于他的遗嘱的真实性一直有争论。
  • The museum is seeking an expert opinion on the authenticity of the painting. 博物馆在请专家鉴定那幅画的真伪。
6 reverence BByzT     
n.敬畏,尊敬,尊严;Reverence:对某些基督教神职人员的尊称;v.尊敬,敬畏,崇敬
参考例句:
  • He was a bishop who was held in reverence by all.他是一位被大家都尊敬的主教。
  • We reverence tradition but will not be fettered by it.我们尊重传统,但不被传统所束缚。
7 supervisor RrZwv     
n.监督人,管理人,检查员,督学,主管,导师
参考例句:
  • Between you and me I think that new supervisor is a twit.我们私下说,我认为新来的主管人是一个傻瓜。
  • He said I was too flighty to be a good supervisor.他说我太轻浮不能成为一名好的管理员。
8 literally 28Wzv     
adv.照字面意义,逐字地;确实
参考例句:
  • He translated the passage literally.他逐字逐句地翻译这段文字。
  • Sometimes she would not sit down till she was literally faint.有时候,她不走到真正要昏厥了,决不肯坐下来。
9 ghetto nzGyV     
n.少数民族聚居区,贫民区
参考例句:
  • Racism and crime still flourish in the ghetto.城市贫民区的种族主义和犯罪仍然十分猖獗。
  • I saw that achievement as a possible pattern for the entire ghetto.我把获得的成就看作整个黑人区可以仿效的榜样。
10 hipped 468f114ff9cbcc0b0fb286cd446f4e57     
adj.着迷的,忧郁的
参考例句:
  • The dark Blue Ridge Mountains in which I dwell, great-hipped, big-breasted, slumber on the western sky. 黛色的兰岭山,那是我居住的地方,它象臀丰乳高的女郎,依然安睡在浩瀚的天幕之下。 来自辞典例句
  • Mountains in which I dwell, great-hipped, bigbreasted, slumber on the western sky. 黛色的兰岭山,那是我居住的地方,她象风姿绰约的女郎,依然安睡在浩瀚的天幕之下。 来自互联网
11 portraying e079474ea9239695e7dc3dd2bd0e7067     
v.画像( portray的现在分词 );描述;描绘;描画
参考例句:
  • The artist has succeeded in portraying my father to the life. 那位画家把我的父亲画得惟妙惟肖。 来自《简明英汉词典》
  • Ding Ling was good at portraying figures through careful and refined description of human psychology. 《莎菲女士的日记》是丁玲的成名作,曾引起强烈的社会反响。 来自汉英文学 - 中国现代小说
12 nuance Xvtyh     
n.(意义、意见、颜色)细微差别
参考例句:
  • These users will easily learn each nuance of the applications they use.这些用户会很快了解他们所使用程序的每一细微差别。
  • I wish I hadn't become so conscious of every little nuance.我希望我不要变得这样去思索一切琐碎之事。
13 recordings 22f9946cd05973582e73e4e3c0239bb7     
n.记录( recording的名词复数 );录音;录像;唱片
参考例句:
  • a boxed set of original recordings 一套盒装原声录音带
  • old jazz recordings reissued on CD 以激光唱片重新发行的老爵士乐
14 neatly ynZzBp     
adv.整洁地,干净地,灵巧地,熟练地
参考例句:
  • Sailors know how to wind up a long rope neatly.水手们知道怎样把一条大绳利落地缠好。
  • The child's dress is neatly gathered at the neck.那孩子的衣服在领口处打着整齐的皱褶。
15 hearty Od1zn     
adj.热情友好的;衷心的;尽情的,纵情的
参考例句:
  • After work they made a hearty meal in the worker's canteen.工作完了,他们在工人食堂饱餐了一顿。
  • We accorded him a hearty welcome.我们给他热忱的欢迎。
16 guffaw XyUyr     
n.哄笑;突然的大笑
参考例句:
  • All the boys burst out into a guffaw at the joke.听到这个笑话,男孩子们发出一阵哄笑。
  • As they guffawed loudly,the ticket collector arrived.他们正哈哈大笑的时候,检票员到了。
17 authenticate 0u4zr     
vt.证明…为真,鉴定
参考例句:
  • We would have to authenticate your relationship with the boy.我们必须证实一下您和那个孩子的关系。
  • An expert was needed to authenticate the original Van Gogh painting from his imitation.这幅画是凡·高的真迹还是赝品,需由专家来鉴定。
18 worthy vftwB     
adj.(of)值得的,配得上的;有价值的
参考例句:
  • I did not esteem him to be worthy of trust.我认为他不值得信赖。
  • There occurred nothing that was worthy to be mentioned.没有值得一提的事发生。
19 marketing Boez7e     
n.行销,在市场的买卖,买东西
参考例句:
  • They are developing marketing network.他们正在发展销售网络。
  • He often goes marketing.他经常去市场做生意。
20 acting czRzoc     
n.演戏,行为,假装;adj.代理的,临时的,演出用的
参考例句:
  • Ignore her,she's just acting.别理她,她只是假装的。
  • During the seventies,her acting career was in eclipse.在七十年代,她的表演生涯黯然失色。
21 ken k3WxV     
n.视野,知识领域
参考例句:
  • Such things are beyond my ken.我可不懂这些事。
  • Abstract words are beyond the ken of children.抽象的言辞超出小孩所理解的范围.
22 corrupted 88ed91fad91b8b69b62ce17ae542ff45     
(使)败坏( corrupt的过去式和过去分词 ); (使)腐化; 引起(计算机文件等的)错误; 破坏
参考例句:
  • The body corrupted quite quickly. 尸体很快腐烂了。
  • The text was corrupted by careless copyists. 原文因抄写员粗心而有讹误。
23 luminaries be8d22de6c5bd0e82c77d9c04758673e     
n.杰出人物,名人(luminary的复数形式)
参考例句:
  • In that day there will be no light; the luminaries will dwindle. 亚14:6那日、必没有光.三光必退缩。 来自互联网
  • Includes household filament light bulbs & luminaries. 包括家用的白炙灯泡和光源。 来自互联网
24 spoke XryyC     
n.(车轮的)辐条;轮辐;破坏某人的计划;阻挠某人的行动 v.讲,谈(speak的过去式);说;演说;从某种观点来说
参考例句:
  • They sourced the spoke nuts from our company.他们的轮辐螺帽是从我们公司获得的。
  • The spokes of a wheel are the bars that connect the outer ring to the centre.辐条是轮子上连接外圈与中心的条棒。
25 joyous d3sxB     
adj.充满快乐的;令人高兴的
参考例句:
  • The lively dance heightened the joyous atmosphere of the scene.轻快的舞蹈给这场戏渲染了欢乐气氛。
  • They conveyed the joyous news to us soon.他们把这一佳音很快地传递给我们。
26 props 50fe03ab7bf37089a7e88da9b31ffb3b     
小道具; 支柱( prop的名词复数 ); 支持者; 道具; (橄榄球中的)支柱前锋
参考例句:
  • Rescuers used props to stop the roof of the tunnel collapsing. 救援人员用支柱防止隧道顶塌陷。
  • The government props up the prices of farm products to support farmers' incomes. 政府保持农产品价格不变以保障农民们的收入。
27 scrutiny ZDgz6     
n.详细检查,仔细观察
参考例句:
  • His work looks all right,but it will not bear scrutiny.他的工作似乎很好,但是经不起仔细检查。
  • Few wives in their forties can weather such a scrutiny.很少年过四十的妻子经得起这么仔细的观察。
28 comedian jWfyW     
n.喜剧演员;滑稽演员
参考例句:
  • The comedian tickled the crowd with his jokes.喜剧演员的笑话把人们逗乐了。
  • The comedian enjoyed great popularity during the 30's.那位喜剧演员在三十年代非常走红。
29 arena Yv4zd     
n.竞技场,运动场所;竞争场所,舞台
参考例句:
  • She entered the political arena at the age of 25. 她25岁进入政界。
  • He had not an adequate arena for the exercise of his talents.他没有充分发挥其才能的场所。
30 accurately oJHyf     
adv.准确地,精确地
参考例句:
  • It is hard to hit the ball accurately.准确地击中球很难。
  • Now scientists can forecast the weather accurately.现在科学家们能准确地预报天气。
31 misogynistic 3f0b942dbbce064c8f7d66628418d140     
参考例句:
  • And it brings out everything that is most noxious and misogynistic about the right. 而且,这种情绪也流露出右派思想中最为保守有害,歧视女性的那一面。 来自互联网
32 apex mwrzX     
n.顶点,最高点
参考例句:
  • He reached the apex of power in the early 1930s.他在三十年代初达到了权力的顶峰。
  • His election to the presidency was the apex of his career.当选总统是他一生事业的顶峰。
33 inventory 04xx7     
n.详细目录,存货清单
参考例句:
  • Some stores inventory their stock once a week.有些商店每周清点存货一次。
  • We will need to call on our supplier to get more inventory.我们必须请供应商送来更多存货。
34 mischief jDgxH     
n.损害,伤害,危害;恶作剧,捣蛋,胡闹
参考例句:
  • Nobody took notice of the mischief of the matter. 没有人注意到这件事情所带来的危害。
  • He seems to intend mischief.看来他想捣蛋。
35 weird bghw8     
adj.古怪的,离奇的;怪诞的,神秘而可怕的
参考例句:
  • From his weird behaviour,he seems a bit of an oddity.从他不寻常的行为看来,他好像有点怪。
  • His weird clothes really gas me.他的怪衣裳简直笑死人。
36 weirder cd9463d25463f72eab49f2343155512f     
怪诞的( weird的比较级 ); 神秘而可怕的; 超然的; 古怪的
参考例句:
  • Actually, things got a little weirder when the tow truck driver showed up. 事实上,在拖吊车司机出现后,事情的发展更加怪异。
37 infinity o7QxG     
n.无限,无穷,大量
参考例句:
  • It is impossible to count up to infinity.不可能数到无穷大。
  • Theoretically,a line can extend into infinity.从理论上来说直线可以无限地延伸。
38 egos a962560352f3415d55fdfd9e7aaf5265     
自我,自尊,自负( ego的名词复数 )
参考例句:
  • Their egos are so easily bruised. 他们的自尊心很容易受到伤害。
  • The belief in it issues from the puerile egos of inferior men. 这种信仰是下等人幼稚的自私意识中产生的。
39 mechanism zCWxr     
n.机械装置;机构,结构
参考例句:
  • The bones and muscles are parts of the mechanism of the body.骨骼和肌肉是人体的组成部件。
  • The mechanism of the machine is very complicated.这台机器的结构是非常复杂的。
40 defensive buszxy     
adj.防御的;防卫的;防守的
参考例句:
  • Their questions about the money put her on the defensive.他们问到钱的问题,使她警觉起来。
  • The Government hastily organized defensive measures against the raids.政府急忙布置了防卫措施抵御空袭。
41 memorable K2XyQ     
adj.值得回忆的,难忘的,特别的,显著的
参考例句:
  • This was indeed the most memorable day of my life.这的确是我一生中最值得怀念的日子。
  • The veteran soldier has fought many memorable battles.这个老兵参加过许多难忘的战斗。
42 awe WNqzC     
n.敬畏,惊惧;vt.使敬畏,使惊惧
参考例句:
  • The sight filled us with awe.这景色使我们大为惊叹。
  • The approaching tornado struck awe in our hearts.正在逼近的龙卷风使我们惊恐万分。
43 spike lTNzO     
n.长钉,钉鞋;v.以大钉钉牢,使...失效
参考例句:
  • The spike pierced the receipts and held them in order.那个钉子穿过那些收据并使之按顺序排列。
  • They'll do anything to spike the guns of the opposition.他们会使出各种手段来挫败对手。
44 bugged 095d0607cfa5a1564b7697311dda3c5c     
vt.在…装窃听器(bug的过去式与过去分词形式)
参考例句:
  • The police have bugged his office. 警察在他的办公室装了窃听器。 来自《简明英汉词典》
  • He had bugged off before I had a chance to get a word in. 我还没来得及讲话,他已经走了。 来自《简明英汉词典》
45 diesel ql6zo     
n.柴油发动机,内燃机
参考例句:
  • We experimented with diesel engines to drive the pumps.我们试着用柴油机来带动水泵。
  • My tractor operates on diesel oil.我的那台拖拉机用柴油开动。
46 corona jY4z4     
n.日冕
参考例句:
  • The corona gains and loses energy continuously.日冕总是不断地获得能量和损失能量。
  • The corona is a brilliant,pearly white,filmy light,about as bright as the full moon.光环带是一种灿烂的珠白色朦胧光,几乎像满月一样明亮。
47 venues c277c9611f0a0f19beb3658245ac305f     
n.聚集地点( venue的名词复数 );会场;(尤指)体育比赛场所;犯罪地点
参考例句:
  • The band will be playing at 20 different venues on their UK tour. 这个乐队在英国巡回演出期间将在20个不同的地点演出。
  • Farmers market corner, 800 meters long, 60 meters wide livestock trading venues. 农牧市场东北角,有长800米,宽60米的牲畜交易场地。 来自互联网
48 gulp yQ0z6     
vt.吞咽,大口地吸(气);vi.哽住;n.吞咽
参考例句:
  • She took down the tablets in one gulp.她把那些药片一口吞了下去。
  • Don't gulp your food,chew it before you swallow it.吃东西不要狼吞虎咽,要嚼碎了再咽下去。
49 perfectly 8Mzxb     
adv.完美地,无可非议地,彻底地
参考例句:
  • The witnesses were each perfectly certain of what they said.证人们个个对自己所说的话十分肯定。
  • Everything that we're doing is all perfectly above board.我们做的每件事情都是光明正大的。
50 encompasses cba8673f835839b92e7b81ba5bccacfb     
v.围绕( encompass的第三人称单数 );包围;包含;包括
参考例句:
  • The job encompasses a wide range of responsibilities. 这项工作涉及的职责范围很广。
  • Its conservation law encompasses both its magnitude and its direction. 它的守恒定律包括大小和方向两方面。 来自辞典例句
51 syndrome uqBwu     
n.综合病症;并存特性
参考例句:
  • The Institute says that an unidentified virus is to blame for the syndrome. 该研究所表示,引起这种综合症的是一种尚未确认的病毒。
  • Results indicated that 11 fetuses had Down syndrome. 结果表明有11个胎儿患有唐氏综合征。
52 supervision hr6wv     
n.监督,管理
参考例句:
  • The work was done under my supervision.这项工作是在我的监督之下完成的。
  • The old man's will was executed under the personal supervision of the lawyer.老人的遗嘱是在律师的亲自监督下执行的。
53 license B9TzU     
n.执照,许可证,特许;v.许可,特许
参考例句:
  • The foreign guest has a license on the person.这个外国客人随身携带执照。
  • The driver was arrested for having false license plates on his car.司机由于使用假车牌而被捕。
54 depressed xu8zp9     
adj.沮丧的,抑郁的,不景气的,萧条的
参考例句:
  • When he was depressed,he felt utterly divorced from reality.他心情沮丧时就感到完全脱离了现实。
  • His mother was depressed by the sad news.这个坏消息使他的母亲意志消沉。
55 portrayed a75f5b1487928c9f7f165b2773c13036     
v.画像( portray的过去式和过去分词 );描述;描绘;描画
参考例句:
  • Throughout the trial, he portrayed himself as the victim. 在审讯过程中,他始终把自己说成是受害者。
  • The author portrayed his father as a vicious drunkard. 作者把他父亲描绘成一个可恶的酒鬼。 来自《现代汉英综合大词典》
56 retired Njhzyv     
adj.隐退的,退休的,退役的
参考例句:
  • The old man retired to the country for rest.这位老人下乡休息去了。
  • Many retired people take up gardening as a hobby.许多退休的人都以从事园艺为嗜好。
57 epic ui5zz     
n.史诗,叙事诗;adj.史诗般的,壮丽的
参考例句:
  • I gave up my epic and wrote this little tale instead.我放弃了写叙事诗,而写了这个小故事。
  • They held a banquet of epic proportions.他们举行了盛大的宴会。
58 anthem vMRyj     
n.圣歌,赞美诗,颂歌
参考例句:
  • All those present were standing solemnly when the national anthem was played.奏国歌时全场肃立。
  • As he stood on the winner's rostrum,he sang the words of the national anthem.他站在冠军领奖台上,唱起了国歌。
59 ethic ziGz4     
n.道德标准,行为准则
参考例句:
  • They instilled the work ethic into their children.他们在孩子们的心中注入了职业道德的理念。
  • The connotation of education ethic is rooted in human nature's mobility.教育伦理的内涵根源于人本性的变动性。
60 ethics Dt3zbI     
n.伦理学;伦理观,道德标准
参考例句:
  • The ethics of his profession don't permit him to do that.他的职业道德不允许他那样做。
  • Personal ethics and professional ethics sometimes conflict.个人道德和职业道德有时会相互抵触。
61 flipping b69cb8e0c44ab7550c47eaf7c01557e4     
讨厌之极的
参考例句:
  • I hate this flipping hotel! 我讨厌这个该死的旅馆!
  • Don't go flipping your lid. 别发火。
62 buddy 3xGz0E     
n.(美口)密友,伙伴
参考例句:
  • Calm down,buddy.What's the trouble?压压气,老兄。有什么麻烦吗?
  • Get out of my way,buddy!别挡道了,你这家伙!
63 ranting f455c2eeccb0d93f31e63b89e6858159     
v.夸夸其谈( rant的现在分词 );大叫大嚷地以…说教;气愤地)大叫大嚷;不停地大声抱怨
参考例句:
  • Mrs. Sakagawa stopped her ranting. 坂川太太戛然中断悲声。 来自辞典例句
  • He was ranting about the murder of his dad. 他大叫她就是杀死他父亲的凶手。 来自电影对白
64 raving c42d0882009d28726dc86bae11d3aaa7     
adj.说胡话的;疯狂的,怒吼的;非常漂亮的;令人醉心[痴心]的v.胡言乱语(rave的现在分词)n.胡话;疯话adv.胡言乱语地;疯狂地
参考例句:
  • The man's a raving lunatic. 那个男子是个语无伦次的疯子。
  • When I told her I'd crashed her car, she went stark raving bonkers. 我告诉她我把她的车撞坏了时,她暴跳如雷。
65 subscribe 6Hozu     
vi.(to)订阅,订购;同意;vt.捐助,赞助
参考例句:
  • I heartily subscribe to that sentiment.我十分赞同那个观点。
  • The magazine is trying to get more readers to subscribe.该杂志正大力发展新订户。

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