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RACHEL MARTIN, HOST:
Spider-Man, the X-Men, the Fantastic Four, Iron Man, Black Panther - the basis for those characters and many more came from the imagination of Stan Lee. He died Monday. He was 95 years old. Here he is in one of his many Marvel1 movie cameos talking to Chris Hemsworth's Thor in "Thor: Ragnarok."
(SOUNDBITE OF FILM, "THOR: RAGNAROK")
STAN LEE: (As character) And don't you move. My hands aren't as steady as they used to be.
CHRIS HEMSWORTH: (As Thor) By Odin's beard, you shall not cut my hair, lest you feel the wrath2 of the mighty3 Thor.
MARTIN: (Imitating Thor) The mighty Thor.
Glen Weldon of NPR's Pop Culture Happy Hour joins us to remember Stan Lee and his genius. Good morning, Glen.
GLEN WELDON, BYLINE4: Morning, Rachel.
MARTIN: So we know Stan Lee is the public face of Marvel Comics. He was that for decades, but I didn't realize this until recently. He wasn't the only brain behind the Marvel Universe, was he?
WELDON: No, he was the co-creator of the Marvel Universe because here's how he worked in those early days. He came up with the broad strokes. He'd invite artists like Jack5 Kirby and Steve Ditko into his office. He'd act out the story. Then they'd go away and design the characters, costumes, backgrounds. When they were done, he'd take a look at what they'd drawn6, which if you're an artist like Jack Kirby or Steve Ditko, often differed a lot from what he told you to do, and fill in the dialogue. He wanted everything dynamic, larger than life. You know, why have characters talk when they could be shouting?
MARTIN: (Laughter).
WELDON: Why have characters disagree when they could be brawling7?
(SOUNDBITE OF FILM, "CAPTAIN AMERICA: CIVIL WAR")
ROBERT DOWNEY JR: (As Tony Stark) Give me back my Rhodey.
TOM HOLLAND: (As Peter Parker) I got him.
WELDON: Now, this clip is from "Captain America: Civil War," a movie that's all about heroes brawling with each other. It's just something he loved.
MARTIN: How did all this start because it's not like there weren't already other superheroes. Right? Superman, Batman, and Wonder Woman - they all predated Stan Lee.
WELDON: Yeah. Well, I mean, they were - those were the DC heroes. But in 1961, when Stan Lee co-created the Fantastic Four with Jack Kirby, Superman, Batman and Wonder Woman were spending a lot of time sitting around conference tables agreeing with each other.
MARTIN: Boring (laughter).
WELDON: Yeah, their stories felt tidy. They felt small. Stan Lee made superheroes big, and he gave them distinct personalities8 because he knew that readers weren't kids anymore. They had become teenagers, and they wanted to see themselves in the comics. So he basically created Marvel - co-created Marvel characters that were teenagers, essentially9. They bickered10. They pouted11. They felt guilty - big personalities.
MARTIN: He was a big personality himself, big enough to transform those early superhero comics into big money. Right? Forbes magazine now estimates that it's all a $12 billion business - TV shows, movie franchises12, licensing13 deals.
WELDON: Yeah. He wasn't just a big personality. He was a born marketer. He created the Marvel brand. He cultivated this over-the-top persona that was always spouting14 catchphrases like, excelsior, face front, true believers, enough said.
MARTIN: (Laughter).
WELDON: And that served to endear him and Marvel Comics to his readers. He did everything he could to create a sense that being a Marvel fan set you apart. He even created a theme song for fans to sing along to.
(SOUNDBITE OF "MERRY MARVEL MARCHING SOCIETY SONG")
UNIDENTIFIED SINGERS: (Singing) You belong, you belong, you belong, you belong to the Merry Marvel Marching...
WELDON: So by making readers want to belong to the world of Marvel Comics, he accelerated a process that had already begun. He gave scattered15 readers across the country something that united them. So they went from being a bunch of individual fans to a collective fandom.
MARTIN: Which is interesting - right? - because so many of his characters were outside the mainstream16. They were people who wanted to belong to something bigger.
WELDON: Exactly. That's the secret.
MARTIN: Glen Weldon, he is an editor at the NPR arts desk and a panelist on NPR's Pop Culture Happy Hour podcast. We have been remembering Stan Lee.
Thanks so much, Glen.
WELDON: Thank you.
(SOUNDBITE OF "MERRY MARVEL MARCHING SOCIETY SONG")
UNIDENTIFIED SINGERS: (Singing) Be a good adviser17. Never ever vicious. Where will you be then? Face front, lift your head, you're on the winning team - 'nuff said. You belong...
1 marvel | |
vi.(at)惊叹vt.感到惊异;n.令人惊异的事 | |
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2 wrath | |
n.愤怒,愤慨,暴怒 | |
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3 mighty | |
adj.强有力的;巨大的 | |
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4 byline | |
n.署名;v.署名 | |
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5 jack | |
n.插座,千斤顶,男人;v.抬起,提醒,扛举;n.(Jake)杰克 | |
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6 drawn | |
v.拖,拉,拔出;adj.憔悴的,紧张的 | |
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7 brawling | |
n.争吵,喧嚷 | |
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8 personalities | |
n. 诽谤,(对某人容貌、性格等所进行的)人身攻击; 人身攻击;人格, 个性, 名人( personality的名词复数 ) | |
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9 essentially | |
adv.本质上,实质上,基本上 | |
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10 bickered | |
v.争吵( bicker的过去式和过去分词 );口角;(水等)作潺潺声;闪烁 | |
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11 pouted | |
v.撅(嘴)( pout的过去式和过去分词 ) | |
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12 franchises | |
n.(尤指选举议员的)选举权( franchise的名词复数 );参政权;获特许权的商业机构(或服务);(公司授予的)特许经销权v.给…以特许权,出售特许权( franchise的第三人称单数 ) | |
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13 licensing | |
v.批准,许可,颁发执照( license的现在分词 ) | |
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14 spouting | |
n.水落管系统v.(指液体)喷出( spout的现在分词 );滔滔不绝地讲;喋喋不休地说;喷水 | |
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15 scattered | |
adj.分散的,稀疏的;散步的;疏疏落落的 | |
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16 mainstream | |
n.(思想或行为的)主流;adj.主流的 | |
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17 adviser | |
n.劝告者,顾问 | |
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