搜索关注在线英语听力室公众号:tingroom,领取免费英语资料大礼包。
(单词翻译)
Willis Conover's long-running "Jazz Hour" broadcast on the Voice of America introduced millions of people in the former Soviet1 Union to American jazz. Willis Conover would have been 90 years old this month. But his impact is still recognized today.
With his deep baritone voice, Willis Conover brought jazz into the homes of listeners around the world, inspiring the next generation of stars. His daily hour-long jazz broadcast on the Voice of America was especially meaningful for those who tuned2 in from behind the Iron Curtain. Conover's "Jazz Hour" was for many the only exposure to music from the West.
Alexei Kozlov is the founder3 of the popular Russian jazz ensemble4, Arsenal5. As a university architecture student, he says, he was led by Conover into the world of jazz, inspiring him to learn to play the saxophone.
"Despite the forbiddance [prohibition] of Voice of America programming in Soviet countries, we still listened to Voice of America, putting ourselves and our families in real danger," he said. "We learned everything from Conover. While there was propaganda against everything American, Conover was the one who made America to be appealing and desirable for everyone who listened."
Conover's "Jazz Hour" provided a platform for household names in the West - like Duke Ellington, Charlie Parker and Count Basie - to be introduced to East European audiences. But for fledgling musicians, his show also provided an education in the art of jazz, helping6 them make the transition from passive listeners to active participants in the music.
Victor Fonarev, from Latvia, is now a professional bass7 player in the United States. He was introduced to Conover's program while attending aviation college in Riga.
"Every evening, I tried to sneak8 into the only classroom that had a radio player," he said. "Everyone at home was asleep, so they didn't know I was gone, otherwise I would have been grounded for listening to the prohibited programming."
From 1955, until his death in 1996, Conover worked from his small studio in Washington, D.C. From here, under clouds of cigarette smoke, he projected his love of jazz to the world.
"I could have never imagined in a million years that someday I'd be standing9 at the actual studio of Willis Conover - the legend," said Fonarev. "That I'd actually be in the studio, from which Conover talked about jazz in his charming velvet10 voice."
Efim Drucker is a producer at VOA. He worked in that very studio with Conover for eight years. While still in Russia, Drucker became an avid11 listener of the "Jazz Hour." After immigrating12 to the United States he sought employment with the radio host he admired so much. Drucker says Conover devoted13 his life to the "Jazz Hour."
He says Conover and his staff worked long hours to ensure that the VOA audience heard music of the highest quality.
"He was very precise, detail-oriented," said Drucker. "We didn't have CDs then, we had vinyl records, and so if there was even a small scratch of a sound, he asked me to cut them out. Sometimes I'd spend a full day cutting out the scratches. But it was worth it - the sound was impeccable. And that's how Conover's music was remembered in Russia - impeccable and magical."
Conover's attention to detail and his knack14 for explaining jazz to the masses may never be replicated15. But in an interview near the end of his career, he seemed to feel he had accomplished16 his own individual goals.
"I have to feel that it is good," Conover said. "Otherwise I'm going to be unhappy for what I've done. I don't want to do just something for money. Or, for fame. Or, for power. I've never been jealous of anyone who has money, power, or fame. What I want to do is something that feels that my life was worthwhile. And...I think I would feel this way on my last day."
Jazz is now taught and performed around the world. And among those who are now the teachers of today's jazz stars are faces from the former Soviet Union. In achieving his own dream, Willis Conover helped others achieve theirs.
1 Soviet | |
adj.苏联的,苏维埃的;n.苏维埃 | |
参考例句: |
|
|
2 tuned | |
adj.调谐的,已调谐的v.调音( tune的过去式和过去分词 );调整;(给收音机、电视等)调谐;使协调 | |
参考例句: |
|
|
3 Founder | |
n.创始者,缔造者 | |
参考例句: |
|
|
4 ensemble | |
n.合奏(唱)组;全套服装;整体,总效果 | |
参考例句: |
|
|
5 arsenal | |
n.兵工厂,军械库 | |
参考例句: |
|
|
6 helping | |
n.食物的一份&adj.帮助人的,辅助的 | |
参考例句: |
|
|
7 bass | |
n.男低音(歌手);低音乐器;低音大提琴 | |
参考例句: |
|
|
8 sneak | |
vt.潜行(隐藏,填石缝);偷偷摸摸做;n.潜行;adj.暗中进行 | |
参考例句: |
|
|
9 standing | |
n.持续,地位;adj.永久的,不动的,直立的,不流动的 | |
参考例句: |
|
|
10 velvet | |
n.丝绒,天鹅绒;adj.丝绒制的,柔软的 | |
参考例句: |
|
|
11 avid | |
adj.热心的;贪婪的;渴望的;劲头十足的 | |
参考例句: |
|
|
12 immigrating | |
v.移入( immigrate的现在分词 );移民 | |
参考例句: |
|
|
13 devoted | |
adj.忠诚的,忠实的,热心的,献身于...的 | |
参考例句: |
|
|
14 knack | |
n.诀窍,做事情的灵巧的,便利的方法 | |
参考例句: |
|
|
15 replicated | |
复制( replicate的过去式和过去分词 ); 重复; 再造; 再生 | |
参考例句: |
|
|
16 accomplished | |
adj.有才艺的;有造诣的;达到了的 | |
参考例句: |
|
|
本文本内容来源于互联网抓取和网友提交,仅供参考,部分栏目没有内容,如果您有更合适的内容,欢迎 点击提交 分享给大家。