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Famed jazz pianist and composer George Shearing1, 91, died Monday, February 14 of heart failure in New York City. Shearing was born in England but settled in the United States in 1947. His recording2 career lasted more than six decades and included albums with some of the top names in jazz. Despite being blind, George Shearing became one of the world's most popular performers.
George Shearing appeared on the American jazz scene in the early 1940s with a series of successful recordings3 that featured a fine-tuned rhythm section of guitar, bass4, drums and vibraphone. He was already quite famous in England, but after the release of his hit song "September In The Rain," his quintet rose to new heights.
Shearing was born blind in London on August 13, 1919. He began playing piano at age three and soon fell in love with the music of Earl Hines, Fats Waller, and Art Tatum. At 19, he performed jazz accordion5 in Claude Bampton's all-blind band and got his first real taste of show business.
"One night, we were all ready to go. Fifteen blind musicians taught to play instruments from being chair caners and basket makers6 and so on," Shearing said. "Now, we're all ready to go in the theatre and the stage manager says 'Ok fellas.' And someone's glass eye had fallen out, rolled across the stage, [and] fifteen blind guys [are] down on the floor looking for this eye. They found it and gave it to him, and he put it in and the show got underway."
Shearing won over American audiences with his own style of boogie-woogie, blues7 and jazz swing which later became known as "The Shearing Sound." One of his best-known compositions is the jazz standard "Lullaby of Broadway," co-written with lyricist George David Weiss.
Critics were enamored of his heartfelt melodies often described as "romantic" and "whimsical." Shearing once said the birth of rock 'n' roll gave a new dimension to his repertoire8.
"We have benefited from the embryonic9 stages of rock and roll which started probably in the early '50's, and are now the glad recipients10, most of the time, of a healthy integration11 between jazz, folk and rock," he said.
Over the years, Shearing's ever-changing personnel included singers Mel Torme, Carmen McRae and Peggy Lee, as well as Joe Pass, Cal Tjader and Hank Jones. His 1962 album "Nat 'King Cole' Sings, George Shearing Plays" features one of the most famous piano introductions of all time on the selection "Let There Be Love." In 1976, he collaborated12 with the great French jazz violinist Stephane Grappelli for the critically-acclaimed album "Reunion." In 2003, he received a Lifetime Achievement Award from the BBC Jazz Awards.
Shearing avoided the trappings of jazz fusion13, synthesizers and electronics that arrived late in his career. He believed that more volume didn't necessarily mean better music.
"I know that there is quite a bit of talent around and it's too loud," Shearing said. "And it's a shame."
At the peak of his career, George Shearing was immortalized in Jack14 Kerouac's 1957 novel "On The Road." Upon seeing Shearing in a Chicago nightclub, Kerouac wrote, "as always he leaned his blind head on his pale hand, all ears opened like the ears of an elephant, listening to the American sounds and mastering them for his own English summer-night's use."
1 shearing | |
n.剪羊毛,剪取的羊毛v.剪羊毛( shear的现在分词 );切断;剪切 | |
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2 recording | |
n.录音,记录 | |
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3 recordings | |
n.记录( recording的名词复数 );录音;录像;唱片 | |
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4 bass | |
n.男低音(歌手);低音乐器;低音大提琴 | |
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5 accordion | |
n.手风琴;adj.可折叠的 | |
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6 makers | |
n.制造者,制造商(maker的复数形式) | |
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7 blues | |
n.抑郁,沮丧;布鲁斯音乐 | |
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8 repertoire | |
n.(准备好演出的)节目,保留剧目;(计算机的)指令表,指令系统, <美>(某个人的)全部技能;清单,指令表 | |
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9 embryonic | |
adj.胚胎的 | |
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10 recipients | |
adj.接受的;受领的;容纳的;愿意接受的n.收件人;接受者;受领者;接受器 | |
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11 integration | |
n.一体化,联合,结合 | |
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12 collaborated | |
合作( collaborate的过去式和过去分词 ); 勾结叛国 | |
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13 fusion | |
n.溶化;熔解;熔化状态,熔和;熔接 | |
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14 jack | |
n.插座,千斤顶,男人;v.抬起,提醒,扛举;n.(Jake)杰克 | |
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