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US Music Flop1 Emerges as Anti-Apartheid Anthem2
Segerman is talking about Rodriguez, a folk-rock troubadour from the American midwest city of Detroit who cut a couple of albums in the 1970s. But they flopped3 and he went on with his life.
As Stockholm-based filmmaker Malik Bendjelloul discovered, the music took on a life of its own on the other side of the world.
"In 2006, I was traveling around Africa and South America for six months looking for stories, and in Cape4 Town I met Stephen "Sugar" Segerman, the detective in the story, and he told me how this all came about and I thought 'this is the best story I ever heard in my life,'" says Bendjelloul. "It's about a man who didn't know he was famous."
In the film, Segerman explains how Rodriguez's songs, including "Sugar Man" and "I Wonder" became anthems5 for the country's white youth who began to stand up against Apartheid.
"In the 1970s, if you walked into a random6 white, liberal, middle class household that had a turntable and a pile of pop records…you would always see 'Abbey Road' by the Beatles, 'Bridge Over Troubled Water' by Simon and Garfunkel and 'Cold Fact' by Rodriguez," he says. "To us it was one of the most famous records of all time. The message it had was 'be anti-establishment.' One song is called 'The Anti-Establishment Blues7.' We didn't know what the word was until it cropped up on a Rodriguez song, and then we found it's OK to protest against your society, to be angry with your society."
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But Rodriguez remained a mystery, and rumors8 even spread that he had committed suicide during a performance.
Segerman and a South African journalist friend set out to discover the true story.
That quest led them to a run-down Detroit neighborhood where they found their hero, very much alive, but totally unaware9 of his fame and the impact of his music.
Rodriguez is grateful his message found an audience.
"In the film it points out how it was banned from certain radio play and if they don't want you to listen to it and don't want you to talk about it, they really don't want you to think about it either," he says. "I think people need to express themselves."
"Searching For Sugar Man" includes scenes from the 1998 Cape Town concert which marked Rodriguez's first visit to South Africa.
Since then, he's been back several times. He's recording10 new music and is still commenting on social issues. The documentary won a special grand jury prize at the 2012 Sundance Festival.
1 flop | |
n.失败(者),扑通一声;vi.笨重地行动,沉重地落下 | |
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2 anthem | |
n.圣歌,赞美诗,颂歌 | |
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3 flopped | |
v.(指书、戏剧等)彻底失败( flop的过去式和过去分词 );(因疲惫而)猛然坐下;(笨拙地、不由自主地或松弛地)移动或落下;砸锅 | |
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4 cape | |
n.海角,岬;披肩,短披风 | |
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5 anthems | |
n.赞美诗( anthem的名词复数 );圣歌;赞歌;颂歌 | |
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6 random | |
adj.随机的;任意的;n.偶然的(或随便的)行动 | |
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7 blues | |
n.抑郁,沮丧;布鲁斯音乐 | |
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8 rumors | |
n.传闻( rumor的名词复数 );[古]名誉;咕哝;[古]喧嚷v.传闻( rumor的第三人称单数 );[古]名誉;咕哝;[古]喧嚷 | |
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9 unaware | |
a.不知道的,未意识到的 | |
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10 recording | |
n.录音,记录 | |
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