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Asian Americans Break Stereotypes1 Through Urban Dance
Whether it's dancing freestyle in a cypher or dance circle, or a carefully choreographed2 routine, when these dancers move their bodies, something magical happens, said Philippine urban dancer Michelle Salazar.
“My first mentor3, he said dancing is like touching4 the face of God. That’s just how I feel,” said Salazar.
Some call it hip5 hop6, others -- urban dance. It’s no longer just associated with African Americans or Latinos. Philippine American Arnel Calvario is one of the pioneers of Asian American urban dance. When he was growing up in the 1970s and 1980s, he saw other Filipinos as well as African Americans and Latinos dancing in the streets of his neighborhood in southern California. In junior high, he said he surprised some African American girls who saw him dance.
“They’d verbally say that 'I’ve never seen an Asian guy dance like that,' you know. That was a pivotal moment for me. In one sense you can be kind of offended by that," explained Calvario. "It kind of felt like I needed to do something about that.”
In college, in the early 1990s, Calvario incorporated this uniquely American dance form into a Philippine culture show. He formed the dance company Kaba Modern and started a phenomenon where Asian American dance companies began emerging throughout universities in southern California.
“It quickly spread to the Chinese associations, the Japanese, Vietnamese...it was a really interesting time because within a year, it spread so fast,” he noted7.
Lorenzo Perillo is teaching a class in hip hop dance at Cornell University this fall.
“It’s kind of like something that is seen as foreign to a particular culture and saying no, it’s not foreign, it’s actually something that we all do, we just don’t consider it; we just haven’t shifted our paradigm8 yet,” he said.
African American Dineytra Lee’s paradigm shifted when she auditioned10 for a hip hop dance crew.
“I go to the audition9 and I see nothing but Asians and I’m like, 'what’s going on there.' It’s literally11 a legitimate12 culture shock,” she said.
What Asian Americans saw in their community for years was not represented on television until recently with dance competition TV shows where predominantly Asian American urban dancers exploded into mainstream13 media.
“It was never so prominent as it is now. Now we’re all over," said Calvario. "And in these dance shows we did dominate.”
This not only breaks traditional American stereotypes of Asians being either martial14 artists or nerds. Vietnamese Chinese American Kan Dang said the prominence15 of Asian American urban dancers in the media helps older Asian immigrants see dance differently. “You normally wouldn’t tell your parents you dance cause they feel like it would be a distraction16 from your studies, but now I think it’s accepted," Dang explained. "That it’s like a good stress reliever or a time to meet people in school.”
With social media, hip hop dance no longer belongs to any particular minority group. It has spread globally with dancers around the world expressing themselves through this form of movement.
1 stereotypes | |
n.老套,模式化的见解,有老一套固定想法的人( stereotype的名词复数 )v.把…模式化,使成陈规( stereotype的第三人称单数 ) | |
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2 choreographed | |
v.设计舞蹈动作( choreograph的过去式和过去分词 ) | |
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3 mentor | |
n.指导者,良师益友;v.指导 | |
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4 touching | |
adj.动人的,使人感伤的 | |
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5 hip | |
n.臀部,髋;屋脊 | |
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6 hop | |
n.单脚跳,跳跃;vi.单脚跳,跳跃;着手做某事;vt.跳跃,跃过 | |
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7 noted | |
adj.著名的,知名的 | |
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8 paradigm | |
n.例子,模范,词形变化表 | |
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9 audition | |
n.(对志愿艺人等的)面试(指试读、试唱等) | |
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10 auditioned | |
vi.试听(audition的过去式与过去分词形式) | |
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11 literally | |
adv.照字面意义,逐字地;确实 | |
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12 legitimate | |
adj.合法的,合理的,合乎逻辑的;v.使合法 | |
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13 mainstream | |
n.(思想或行为的)主流;adj.主流的 | |
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14 martial | |
adj.战争的,军事的,尚武的,威武的 | |
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15 prominence | |
n.突出;显著;杰出;重要 | |
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16 distraction | |
n.精神涣散,精神不集中,消遣,娱乐 | |
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