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By Erika CelesteIt has been two years since the greatest natural disaster in U.S. history swept ashore1 in the form of Hurricane Katrina. Lost lives, homes and businesses changed the American South and Gulf2 Coast forever. Yet amid the ruin and rebuilding are stories of positive change, that otherwise might never have happened. Erika Celeste has one such story from Mississippi.
Miller3" hspace="2" src="http://www.tingroom.com/upimg/allimg/070901/1501000.jpg" width="210" vspace="2" border="0" /> |
Brice Miller |
But that dream job came crashing down on a bright, blue Saturday in August 2005, when Hurricane Katrina swept ashore.
Escaping to the neighboring state of Mississippi with his family, Miller decided5 to use the event as an opportunity.
"My true passion is, I love creating programs. I love to sit down and ponder and say these are the attributes of a community, this is what I think is missing, I'm going to create a proposal and then I'm going to go out and sell the proposal."
Miller created a program called Jazz and Blues6 in the Schools. The idea was simple. "Jazz is America. Blues is America," he says. "They are the art forms that were actually created here on the soil of America and we need to keep them alive. The only way we're going to keep it alive is through education and the only way we're going to keep the education is if we get passionate7 about it and then kids will say, 'Ok there are other paths and objectives for me'."
The National Jazz Foundation of America underwrote the program for one year so that it would be free to Mississippi schools. Miller then called upon musician friends, both from New Orleans and around Mississippi to join him in what he called "informances" or education performances for young people at schools and libraries.
"I can show them how it's relative to them. I can show them how hip8-hop music is influenced by jazz, how rap is influenced by jazz, how pop and all the things they think are hip are influenced by jazz and once they hear that, that's it. Then once they see the actual performance they are blown away. You have dudes coming up after a performance saying, 'How can I do this?' "
The program connects with high school student Tierra Bynum in Starkville, Mississippi. Her friends good-naturedly tease her as she joins in singing with Miller and the band at a special welcome back to school event. "I was singing 'Swing Low, Sweet Chariot.' My grandmother sings that song all the time and I think it's a good inspirational song."
Over the past year Jazz and Blues in the Schools has reached between 8,000 and 10,000 students like Tierra across Mississippi, and employed nearly three-dozen musicians, including guitarist Jeffrey Rupp. He says Jazz and Blues in the Schools fills a much-needed gap, not only for schools that often cannot afford music programs, but for the musicians too. "Twenty years ago we used to play music to make a couple of bucks9 and hopefully meet some girls. Now it's therapeutic10 for me too. And to do it on a level where you're actually taking it to the students, in a small way you're giving back. So I have the best of both worlds."
As the new school year begins in Mississippi, Brice Miller is looking for funding to continue his program, with the dream of one day taking the program nationwide.
1 ashore | |
adv.在(向)岸上,上岸 | |
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2 gulf | |
n.海湾;深渊,鸿沟;分歧,隔阂 | |
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3 miller | |
n.磨坊主 | |
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4 latitude | |
n.纬度,行动或言论的自由(范围),(pl.)地区 | |
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5 decided | |
adj.决定了的,坚决的;明显的,明确的 | |
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6 blues | |
n.抑郁,沮丧;布鲁斯音乐 | |
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7 passionate | |
adj.热情的,热烈的,激昂的,易动情的,易怒的,性情暴躁的 | |
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8 hip | |
n.臀部,髋;屋脊 | |
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9 bucks | |
n.雄鹿( buck的名词复数 );钱;(英国十九世纪初的)花花公子;(用于某些表达方式)责任v.(马等)猛然弓背跃起( buck的第三人称单数 );抵制;猛然震荡;马等尥起后蹄跳跃 | |
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10 therapeutic | |
adj.治疗的,起治疗作用的;对身心健康有益的 | |
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