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Twelve years ago, writer-director James Cameron made Titanic1, an epic2 romance that became the highest-grossing film in Hollywood history. He is making cinema history again with groundbreaking new 3D technology that puts audiences in the middle of his new science fiction adventure set on another world and 150 years in the future. Here's a look at Avatar.
Alan Silverman | Hollywood 18 December 2009
Jake Sully is a wounded warrior3: a U.S. Marine4 paralyzed from a battlefield injury. The chance to walk again is what initially5 draws him to a distant, dangerous moon.
"You are not in Kansas anymore. You're on Pandora. Out there beyond that fence every living thing that crawls, flies or squats6 in the mud wants to kill you and eat your eyes for jujubes."
It seems Pandora is the only place in the galaxy7 with deposits of a valuable new energy source worth untold8 millions back on Earth. To get it, however, they have to go through …or get rid of …the Pandora natives: a tall, blue-skinned tribe called the Na'vi. That's where Jake and his colleagues come in:
"Me and Norm are here to 'drive' these remotely-controlled bodies called avatars. They are grown from human DNA9 mixed with the DNA of the natives."
20th Century Fox
Zoe Saldana and Sam Worthington in scene from Avatar
With his mind electronically linked to his Avatar body, Jake not only can walk again and survive in the toxic10 atmosphere of Pandora, he can also make direct contact with the Na'vi. That doesn't exactly go well at first.
But as the exotically beautiful Neytiri teaches Jake about the Na'vi and their connection to their world, he becomes convinced that the exploitation by his fellow humans must be stopped.
New Zealander Sam Worthington plays Jake and New Jersey11 native Zoe Saldana is Neytiri. Canadian-born Cameron spent years developing a 'performance capture' technology for their Avatar characters. The actors wear high-tech12 outfits13 dotted with sensors14 that record their every movement including the subtlest facial expressions.
20th Century Fox
Director James Cameron on the set of the movie
"The whole thing we were trying to develop was about keeping alive and without any dilution15 the actors' work," Cameron says.
Cameron explains that those captured performances are the key to making the CG or computer-generated digital characters that audiences see come 'alive.'
"I don't want to be an animator. I don't want to try to figure out how to make the characters behave later through animation16. That's not what I do. I work with actors," notes Cameron. "My proposal to the actors was: 'okay, we're going to be in a room [and] we're going to do this strange thing, but every molecule17 of what you create will be what your character does. I want that to be the performance that is seen two years later in the finished film.
20th Century Fox
Scene from Avatar
Cameron also pioneered a realistic 3D technology that requires the audience to wear special glasses; but Sam Worthington says it puts them with him in the action.
"You are more endeared to these characters by feeling you are in the fight or the battle or the tragedy with them," Worthington says. "By doing that, the veneer18 of remembering it is a CG character starts to dissolve and you see the spirit. We were never going to lose our jobs because the CG character can only work if it is embodied19 by us and I can tell you that is 100 percent Zoe and 100 percent my performance. It is not a cartoon. We are not standing20 at a lectern voicing it. We had to do it so every jump and smash and roll and smirk21 and glimmer22 and kiss we did. That's the trick and the magic of this movie that Jim and WETA Digital had to push themselves to get to the point where we forget we are watching big, blue people and we start just rooting for the person inside them."
Writer-director Cameron also acknowledges that what the humans try to do on the fictional23 Pandora is a clear metaphor24 for what he believes are the dangers of exploitation on our own planet; and he believes that is warning science fiction can deliver:
"Science fiction can operate on many different levels. It can operate as a cinema just purely25 of the visual …purely of imagination; but historically the kind of science fiction that I grew up on had a message," Cameron says. "Usually it was a dystopian message in the form of some kind of warning; and I think that science fiction became more escapist fantasy and less a warning or intellectual medium. I think that Avatar was an attempt to merge26 science fiction back to its roots of having a warning."
"They have sent us a message that they can take whatever they want. Well we will send them a message …that this is our land!"
20th Century Fox
Sigourney Weaver27 and Sam Worthington in scene from Avatar
Avatar also features sci-fi veteran Sigourney Weaver as the scientist who creates the program to learn about and understand the Na'vi. Giovanni Ribisi plays the corporate28 manager of the Pandora mining project with Stephen Lang as the paramilitary commander of the human forces and Native American Indian actor Wes Studi is the Na'vi chief. The soundtrack music is composed by James Horner, whose previous collaborations with James Cameron include the multiple Oscar-winning Titanic.
1 titanic | |
adj.巨人的,庞大的,强大的 | |
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2 epic | |
n.史诗,叙事诗;adj.史诗般的,壮丽的 | |
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3 warrior | |
n.勇士,武士,斗士 | |
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4 marine | |
adj.海的;海生的;航海的;海事的;n.水兵 | |
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5 initially | |
adv.最初,开始 | |
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6 squats | |
n.蹲坐,蹲姿( squat的名词复数 );被擅自占用的建筑物v.像动物一样蹲下( squat的第三人称单数 );非法擅自占用(土地或房屋);为获得其所有权;而占用某片公共用地。 | |
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7 galaxy | |
n.星系;银河系;一群(杰出或著名的人物) | |
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8 untold | |
adj.数不清的,无数的 | |
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9 DNA | |
(缩)deoxyribonucleic acid 脱氧核糖核酸 | |
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10 toxic | |
adj.有毒的,因中毒引起的 | |
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11 jersey | |
n.运动衫 | |
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12 high-tech | |
adj.高科技的 | |
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13 outfits | |
n.全套装备( outfit的名词复数 );一套服装;集体;组织v.装备,配置设备,供给服装( outfit的第三人称单数 ) | |
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14 sensors | |
n.传感器,灵敏元件( sensor的名词复数 ) | |
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15 dilution | |
n.稀释,淡化 | |
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16 animation | |
n.活泼,兴奋,卡通片/动画片的制作 | |
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17 molecule | |
n.分子,克分子 | |
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18 veneer | |
n.(墙上的)饰面,虚饰 | |
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19 embodied | |
v.表现( embody的过去式和过去分词 );象征;包括;包含 | |
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20 standing | |
n.持续,地位;adj.永久的,不动的,直立的,不流动的 | |
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21 smirk | |
n.得意地笑;v.傻笑;假笑着说 | |
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22 glimmer | |
v.发出闪烁的微光;n.微光,微弱的闪光 | |
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23 fictional | |
adj.小说的,虚构的 | |
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24 metaphor | |
n.隐喻,暗喻 | |
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25 purely | |
adv.纯粹地,完全地 | |
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26 merge | |
v.(使)结合,(使)合并,(使)合为一体 | |
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27 weaver | |
n.织布工;编织者 | |
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28 corporate | |
adj.共同的,全体的;公司的,企业的 | |
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