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• 1.纪录片《大英博物馆世界简史》 018米诺斯跳牛飞人(6)
• The British Museum bull sculpture was cast using the lost-wax technique. 大英博物馆的这尊公牛雕像使用了失蜡法来铸造。 The artist firstly models his vi...
• 2.纪录片《大英博物馆世界简史》 018米诺斯跳牛飞人(7)
• But even if the proportions of the alloy were less than ideal, the very existence of the tin and copper-both from outside Crete-tells us that the Mino...
• 3.纪录片《大英博物馆世界简史》 018米诺斯跳牛飞人(8)
• The word 'palace', which Evans used to describe the large buildings he excavated, suggests royalty, but in fact these buildings seem to have been reli...
• 4.纪录片《大英博物馆世界简史》 019莫尔德黄金披肩(1)
• 019 ：EPISODE 19 - Mold Gold Cape 莫尔德黄金披肩 Abstract摘要 : Mold Gold Cape (made over 3,500 years ago). Finely worked gold object found in North W...
• 5.纪录片《大英博物馆世界简史》 019莫尔德黄金披肩(2)
• Undeterred by thoughts of ghosts or goblins, and exhilarated by the dazzling wealth of their find, 鬼怪的传说并没有吓退他们，闪闪发光的财宝令他们兴奋...
• 6.纪录片《大英博物馆世界简史》 019莫尔德黄金披肩(3)
• But it was not until the 1960s, that the gold pieces from the Mold grave were put together for the first time. 但直到二十世纪六十年代，这些黄金碎片才...
• 7.纪录片《大英博物馆世界简史》 019莫尔德黄金披肩(4)
• These were the Cartiers or the Tiffanys of Bronze Age Europe. 他们是青铜时代欧洲的卡地亚与蒂凡尼。 But what kind of society could have produced this c...
• 8.纪录片《大英博物馆世界简史》 019莫尔德黄金披肩(5)
• The collection of small amber beads, for example, that were found with the cape, must have come from the Baltic-hundreds of miles away from Mold. 与披...
• 9.纪录片《大英博物馆世界简史》 019莫尔德黄金披肩(6)
• So what we are trying to do is to look more closely at the nature of the gold ore, to look at the objects, to try and relate the analysis of one with ...
• 10.纪录片《大英博物馆世界简史》 019莫尔德黄金披肩(7)
• It probably had a lining, possibly of leather, which covered the chest and the shoulders of the wearer. 它可能曾有包裹着穿戴者的肩与胸的皮革衬里。 The...