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This is Scientific American's 60-second Science, I'm Christopher Intagliata.
(birthday singing clip) Ever noticed how when a big group sings "Happy Birthday," the beginning is a jumbled1 mess, with everyone singing a slightly different pitch? But then, near the end, it all sort of comes together?
That's because we t?end to adjust our own singing pitch to accommodate others. And now scientists in the U.K. have found that even trained choral singers will follow their fellow choir2 members. But not necessarily in the right direction.
The researchers had eight pairs of musically trained amateur singers — all women for this study — sing, a capella, the melody of either "Silent Night" (clip) or another classic choir tune3, "O Sacred Head, Now Wounded."(clip)
Individual volunteers all sang in their own separate studios, under four different scenarios4: each singer was completely isolated5, hearing only themselves; or singer one got to hear singer two (left ear solo); or singer two got to hear singer one (right ear solo); or finally, both singers could hear each other (stereo harmony). Then the researchers used software to extract pitch information from the recordings6.
What they found was that singers stayed more on tune with the pitch written in the musical score when singing solo, versus7 singing with a partner. And when one partner veered8 off pitch, the other singer followed her, perhaps to compensate9 for the error — meaning even though they weren't singing the pitch as written, the resulting duet was more harmonious10. The findings are in the Journal of the Acoustical11 Society of America.
And the results support a common practice in choirs12: put weak singers next to strong ones, so they can follow their pitch. As for the rest of us amateurs, if you find yourself out at karaoke duetting with an off-pitch friend, take this advice from study author Jiajie Dai of Queen Mary University of London:
"You have to listen to yourself more than you listen to others. Trust yourself, never depend on others." This guideline appears to be the key...to staying on key.
Thanks for listening for Scientific American — 60-Second Science. I'm Christopher Intagliata.
1 jumbled | |
adj.混乱的;杂乱的 | |
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2 choir | |
n.唱诗班,唱诗班的席位,合唱团,舞蹈团;v.合唱 | |
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3 tune | |
n.调子;和谐,协调;v.调音,调节,调整 | |
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4 scenarios | |
n.[意]情节;剧本;事态;脚本 | |
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5 isolated | |
adj.与世隔绝的 | |
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6 recordings | |
n.记录( recording的名词复数 );录音;录像;唱片 | |
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7 versus | |
prep.以…为对手,对;与…相比之下 | |
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8 veered | |
v.(尤指交通工具)改变方向或路线( veer的过去式和过去分词 );(指谈话内容、人的行为或观点)突然改变;(指风) (在北半球按顺时针方向、在南半球按逆时针方向)逐渐转向;风向顺时针转 | |
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9 compensate | |
vt.补偿,赔偿;酬报 vi.弥补;补偿;抵消 | |
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10 harmonious | |
adj.和睦的,调和的,和谐的,协调的 | |
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11 acoustical | |
adj. 听觉的,声学的,音响学的 | |
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12 choirs | |
n.教堂的唱诗班( choir的名词复数 );唱诗队;公开表演的合唱团;(教堂)唱经楼 | |
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