TED演讲:关于听的艺术(9)

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Whatever the eye sees, then there's always sound happening. 无论眼睛看到什么，总有声音随之进行。

So there's always, always that huge,I mean, just this kaleidoscope of things to draw from. 因此，常常会有，确切地说，千变万化的东西作为我的声音源泉。

So all of my performances are based on entirely¹ what I experience,and not by learning a piece of music, putting on someone else's interpretation² of it,buying all the CDs possible of that particular piece of music, and so on and so forth³. 因此，我所有的表演都基于我的一些经历，学会一段音乐，不是加入别人的理解，或是研究一些与那段音乐有关的光盘，等等等等。

Because that isn't giving me enough of something that is so raw and so basic,and something that I can fully⁴ experience the journey of. 因为那样不会让我接触到最原始的东西，那种让我可以完全感受过程的东西。

So it may be that, in certain halls, this dynamic may well work. 所以很有可能，在某些演奏厅里，这样的强弱力度会很不错。

It may be that in other halls, they're simply not going to experience that at all and so therefore, my level of soft,gentle playing may have to be...  可能在其他地方，人们肯能一点也不会有那样的感受了，因此，我发出的轻声，柔和的声音可能是这样的。

Do you see what I mean? So, because of this explosion in access to sound,especially through the deaf community. 明白我的意思了吗? 因此，就因为获取声音的这个特别因素，特别是对于聋人群体来说。

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